The Passing of Shah Jahan
E880956
The Passing of Shah Jahan is a celebrated early 20th-century painting by Abanindranath Tagore that poignantly depicts the Mughal emperor Shah Jahan in his final days, exemplifying the Bengal School’s revivalist, nationalist aesthetics.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Passing of Shah Jahan canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10711096 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Passing of Shah Jahan Context triple: [Abanindranath Tagore, notableWork, The Passing of Shah Jahan]
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A.
Shah Jahan Nama
Shah Jahan Nama is a historical chronicle that records the reign and achievements of the Mughal emperor Shah Jahan, continuing the tradition of imperial memoirs like the Tuzuk-i-Jahangiri.
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B.
The Moghul
The Moghul is a historical novel by Thomas Hoover that dramatizes the clash of cultures and power struggles in 17th-century India during the height of the Mughal Empire.
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C.
The Trial of Mughal prince Dara Shikoh
The Trial of Mughal prince Dara Shikoh is a historical play by Shahid Nadeem that dramatizes the political and religious persecution of the liberal Mughal heir Dara Shikoh by his orthodox brother Aurangzeb.
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D.
Mirat-ul-Akbar
Mirat-ul-Akbar was a Persian-language journal founded and edited by Indian social reformer Raja Ram Mohan Roy in the early 19th century to promote intellectual and social reformist ideas.
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E.
Sirr-i-Akbar
Sirr-i-Akbar is a Persian translation and commentary on the Upanishads by the Mughal prince Dara Shikoh, intended to reveal the shared mystical core of Hinduism and Islam.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Passing of Shah Jahan Target entity description: The Passing of Shah Jahan is a celebrated early 20th-century painting by Abanindranath Tagore that poignantly depicts the Mughal emperor Shah Jahan in his final days, exemplifying the Bengal School’s revivalist, nationalist aesthetics.
-
A.
Shah Jahan Nama
Shah Jahan Nama is a historical chronicle that records the reign and achievements of the Mughal emperor Shah Jahan, continuing the tradition of imperial memoirs like the Tuzuk-i-Jahangiri.
-
B.
The Moghul
The Moghul is a historical novel by Thomas Hoover that dramatizes the clash of cultures and power struggles in 17th-century India during the height of the Mughal Empire.
-
C.
The Trial of Mughal prince Dara Shikoh
The Trial of Mughal prince Dara Shikoh is a historical play by Shahid Nadeem that dramatizes the political and religious persecution of the liberal Mughal heir Dara Shikoh by his orthodox brother Aurangzeb.
-
D.
Mirat-ul-Akbar
Mirat-ul-Akbar was a Persian-language journal founded and edited by Indian social reformer Raja Ram Mohan Roy in the early 19th century to promote intellectual and social reformist ideas.
-
E.
Sirr-i-Akbar
Sirr-i-Akbar is a Persian translation and commentary on the Upanishads by the Mughal prince Dara Shikoh, intended to reveal the shared mystical core of Hinduism and Islam.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf | painting ⓘ |
| alsoKnownAs | Mrittyu Patra Shah Jahan-er NERFINISHED ⓘ |
| artHistoricalSignificance |
key example of early 20th-century Indian painting
ⓘ
landmark work in the Bengal School’s canon ⓘ |
| artisticSchool | Bengal School NERFINISHED ⓘ |
| artisticStyle | revivalist aesthetics ⓘ |
| associatedWith |
Indian nationalist movement
ⓘ
Swadeshi-era cultural revival ⓘ |
| colorPalette | muted tones ⓘ |
| countryOfOrigin | India ⓘ |
| creator | Abanindranath Tagore NERFINISHED ⓘ |
| creatorMovement | Bengal School of Art NERFINISHED ⓘ |
| creatorNationality | Indian ⓘ |
| culturalContext |
Bengal Renaissance
NERFINISHED
ⓘ
anti-colonial cultural assertion ⓘ |
| depictionContext |
Shah Jahan imprisoned in Agra Fort
ⓘ
view of the Taj Mahal from a distance ⓘ |
| depicts |
Mughal emperor
ⓘ
Shah Jahan NERFINISHED ⓘ final days of Shah Jahan ⓘ |
| genre |
historical painting
ⓘ
nationalist art ⓘ |
| inception | early 20th century ⓘ |
| influencedBy |
Japanese wash techniques
ⓘ
Mughal miniature painting ⓘ |
| languageOfTitle | English ⓘ |
| mainSubject |
Mughal Empire
NERFINISHED
ⓘ
decline of Mughal power ⓘ |
| medium |
wash painting
ⓘ
watercolour ⓘ |
| movement | Bengal School of Art NERFINISHED ⓘ |
| notableFor |
iconic work of the Bengal School
ⓘ
poignant portrayal of Shah Jahan’s last days ⓘ revival of Indian artistic traditions ⓘ |
| period | colonial India ⓘ |
| portrays |
aged Shah Jahan
ⓘ
emotional suffering of Shah Jahan ⓘ emperor in physical decline ⓘ |
| setting | interior of Agra Fort ⓘ |
| symbolizes |
Indian cultural memory of Mughal rule
ⓘ
loss of imperial glory ⓘ passing of an era ⓘ |
| theme |
impermanence of power
ⓘ
melancholy ⓘ nationalist sentiment ⓘ nostalgia ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Passing of Shah Jahan Description of subject: The Passing of Shah Jahan is a celebrated early 20th-century painting by Abanindranath Tagore that poignantly depicts the Mughal emperor Shah Jahan in his final days, exemplifying the Bengal School’s revivalist, nationalist aesthetics.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.