Polyptych of Pisa

E871027

The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.

All labels observed (1)

Label Occurrences
Polyptych of Pisa canonical 1

How this entity was disambiguated

Statements (46)

Predicate Object
instanceOf altarpiece
polyptych
artHistoricalSignificance key work in the development of Renaissance painting
artist Masaccio
artisticPeriod Quattrocento
commissionedBy Carmelite order in Pisa
completionDate 1426
conservationStatus panels dispersed
countryOfOrigin Italy
creator Masaccio
culturalContext Italian city-state religious patronage
currentState dismembered altarpiece
depictionForm panel painting
depicts Christ Child
linked to: Child Jesus

Virgin Mary
saints
scenes from the life of Christ
genre religious painting
hasInfluenceOn development of linear perspective in painting
hasPart central Madonna and Child panel
predella panels
side panels with saints
iconographicType Madonna and Child with saints
inception 1426
influenced later Renaissance painters
influencedBy late Gothic painting
languageOfWork visual
location various museums
materialUsed gold leaf
tempera
movement Early Renaissance
notableFor innovative use of perspective
naturalistic figures
realistic light and shadow
volumetric modeling of forms
originalFunction high altarpiece
originalLocation church of Santa Maria del Carmine, Pisa
partOf Italian Renaissance art
placeOfProduction Tuscany
religion Christianity
school Florentine school
style transitional between Gothic and Renaissance
support wood panel
technique egg tempera on panel
timePeriod early 15th century
use liturgical

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Masaccio notableWork Polyptych of Pisa