Expulsion from the Garden of Eden
E871023
Expulsion from the Garden of Eden is a renowned early Renaissance fresco by Masaccio depicting Adam and Eve’s anguished banishment from Paradise with striking emotional realism and use of perspective.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Expulsion from the Garden of Eden canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T10541219 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Expulsion from the Garden of Eden Context triple: [Masaccio, notableWork, Expulsion from the Garden of Eden]
-
A.
Expulsion from the Garden of Eden
Expulsion from the Garden of Eden is a 19th-century landscape painting by Thomas Cole that dramatically depicts the biblical moment Adam and Eve are cast out of paradise.
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B.
The Fall of Man
The Fall of Man is the biblical story describing how Adam and Eve’s disobedience in Eden introduced sin and suffering into the human condition.
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C.
Original sin
Original sin is the Christian doctrine that humanity inherits a fallen, sinful condition from the first humans’ disobedience to God, necessitating divine grace for salvation.
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D.
Cain and Abel
Cain and Abel are the first two sons of Adam and Eve in the Bible, known for the story in which Cain murders his brother Abel out of jealousy, marking the first homicide in biblical tradition.
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E.
Creation of Eve
Creation of Eve is a fresco by Michelangelo on the Sistine Chapel ceiling that portrays the biblical moment when God brings Eve forth from Adam, emphasizing divine creation and human origins.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Expulsion from the Garden of Eden Target entity description: Expulsion from the Garden of Eden is a renowned early Renaissance fresco by Masaccio depicting Adam and Eve’s anguished banishment from Paradise with striking emotional realism and use of perspective.
-
A.
Expulsion from the Garden of Eden
Expulsion from the Garden of Eden is a 19th-century landscape painting by Thomas Cole that dramatically depicts the biblical moment Adam and Eve are cast out of paradise.
-
B.
The Fall of Man
The Fall of Man is the biblical story describing how Adam and Eve’s disobedience in Eden introduced sin and suffering into the human condition.
-
C.
Original sin
Original sin is the Christian doctrine that humanity inherits a fallen, sinful condition from the first humans’ disobedience to God, necessitating divine grace for salvation.
-
D.
Cain and Abel
Cain and Abel are the first two sons of Adam and Eve in the Bible, known for the story in which Cain murders his brother Abel out of jealousy, marking the first homicide in biblical tradition.
-
E.
Creation of Eve
Creation of Eve is a fresco by Michelangelo on the Sistine Chapel ceiling that portrays the biblical moment when God brings Eve forth from Adam, emphasizing divine creation and human origins.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
fresco
ⓘ
painting ⓘ |
| artist | Masaccio ⓘ |
| artisticFeature |
chiaroscuro modeling of the human body
ⓘ
dramatic expression of shame and grief ⓘ emotional realism ⓘ use of linear perspective ⓘ |
| artMovement | Italian Renaissance ⓘ |
| basedOn |
Biblical narrative of the Fall of Man
ⓘ
Book of Genesis ⓘ |
| commissionedFor | Brancacci Chapel decoration ⓘ |
| conservationStatus | restored ⓘ |
| countryOfOrigin | Italy ⓘ |
| creator | Masaccio ⓘ |
| culture | Italian ⓘ |
| dateCreated | circa 1424–1425 ⓘ |
| depicts |
Adam
ⓘ
Eve ⓘ banishment from Paradise ⓘ expulsion from the Garden of Eden ⓘ |
| genre | religious painting ⓘ |
| hasInfluenceOn | art historical understanding of Renaissance naturalism ⓘ |
| hasSubject | Christian theology ⓘ |
| hasType | wall painting ⓘ |
| inception | c. 1425 ⓘ |
| influenced | later Renaissance painters ⓘ |
| influencedBy | classical antiquity ⓘ |
| locatedIn |
Florence
ⓘ
Italy ⓘ Santa Maria del Carmine ⓘ Tuscany ⓘ |
| location |
Brancacci Chapel
ⓘ
linked to:
Brancacci Chapel frescoes
|
| materialUsed | pigments on wet plaster ⓘ |
| movement | Early Renaissance ⓘ |
| notableFor |
influence on Florentine painting
ⓘ
innovative use of perspective in figure placement ⓘ psychological intensity of figures ⓘ |
| originalLanguage | Italian ⓘ |
| partOf |
Brancacci Chapel fresco cycle
ⓘ
linked to:
Brancacci Chapel frescoes
|
| religion | Christianity ⓘ |
| setInPeriod | Biblical era ⓘ |
| shows |
angel with a sword
ⓘ
nude figures of Adam and Eve ⓘ |
| technique | fresco painting ⓘ |
| theme |
exile from Paradise
ⓘ
loss of innocence ⓘ sin and punishment ⓘ |
| title |
Expulsion from the Garden of Eden
ⓘ
linked to:
Expulsion from Eden
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Expulsion from the Garden of Eden Description of subject: Expulsion from the Garden of Eden is a renowned early Renaissance fresco by Masaccio depicting Adam and Eve’s anguished banishment from Paradise with striking emotional realism and use of perspective.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.