The Tempest, Op. 18
E869568
The Tempest, Op. 18 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by Shakespeare’s play, notable for its vivid orchestral depiction of the drama’s characters and stormy atmosphere.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Tempest, Op. 18 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10528516 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Tempest, Op. 18 Context triple: [Tchaikovsky orchestral repertoire, includesWork, The Tempest, Op. 18]
-
A.
Viola Concerto
Viola Concerto is a contemporary concerto for viola and orchestra by American composer John Harbison, known for its modern harmonic language and expressive depth.
-
B.
Egmont, Op. 84
Egmont, Op. 84 is Ludwig van Beethoven’s dramatic incidental music composed for Goethe’s tragedy "Egmont," renowned for its powerful overture and themes of resistance against oppression.
-
C.
Overture, Scherzo and Finale, Op. 52
Overture, Scherzo and Finale, Op. 52 is an early orchestral work by Robert Schumann that combines three contrasting movements into a cohesive concert piece showcasing his emerging symphonic style.
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D.
Overture to a Tragedy, Op. 4
Overture to a Tragedy, Op. 4 is an early Romantic concert overture for orchestra composed by the renowned 19th-century violinist and composer Joseph Joachim.
-
E.
Fata Morgana, Op. 6
Fata Morgana, Op. 6 is an early song cycle by Czech composer Pavel Haas, notable for its expressive modernist style and setting of Czech poetry.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Tempest, Op. 18 Target entity description: The Tempest, Op. 18 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by Shakespeare’s play, notable for its vivid orchestral depiction of the drama’s characters and stormy atmosphere.
-
A.
Viola Concerto
Viola Concerto is a contemporary concerto for viola and orchestra by American composer John Harbison, known for its modern harmonic language and expressive depth.
-
B.
Egmont, Op. 84
Egmont, Op. 84 is Ludwig van Beethoven’s dramatic incidental music composed for Goethe’s tragedy "Egmont," renowned for its powerful overture and themes of resistance against oppression.
-
C.
Overture, Scherzo and Finale, Op. 52
Overture, Scherzo and Finale, Op. 52 is an early orchestral work by Robert Schumann that combines three contrasting movements into a cohesive concert piece showcasing his emerging symphonic style.
-
D.
Overture to a Tragedy, Op. 4
Overture to a Tragedy, Op. 4 is an early Romantic concert overture for orchestra composed by the renowned 19th-century violinist and composer Joseph Joachim.
-
E.
Fata Morgana, Op. 6
Fata Morgana, Op. 6 is an early song cycle by Czech composer Pavel Haas, notable for its expressive modernist style and setting of Czech poetry.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphonic fantasy ⓘ |
| approximateDuration | 20 minutes ⓘ |
| basedOn | The Tempest NERFINISHED ⓘ |
| basedOnWorkAuthor | William Shakespeare NERFINISHED ⓘ |
| catalogueNumber | TH 44 ⓘ |
| composer | Pyotr Ilyich Tchaikovsky NERFINISHED ⓘ |
| compositionYear | 1873 ⓘ |
| countryOfOrigin | Russian Empire ⓘ |
| dedicatedTo | Vladimir Stasov NERFINISHED ⓘ |
| depicts |
Ariel
NERFINISHED
ⓘ
Ferdinand NERFINISHED ⓘ Miranda NERFINISHED ⓘ Prospero NERFINISHED ⓘ storm at sea ⓘ |
| firstPublicationYear | 1875 ⓘ |
| form | single-movement symphonic poem ⓘ |
| genre |
program music
ⓘ
romantic music ⓘ |
| influencedBy | Franz Liszt’s symphonic poems ⓘ |
| inspiredBy | Shakespeare’s play The Tempest NERFINISHED ⓘ |
| inTchaikovskyCatalogueSection | orchestral fantasies and symphonic poems ⓘ |
| intendedVenue | concert hall ⓘ |
| key | F minor ⓘ |
| language | instrumental ⓘ |
| movementCount | 1 ⓘ |
| notableFor |
depiction of stormy atmosphere
ⓘ
dramatic characterization ⓘ vivid orchestral color ⓘ |
| opusNumber | Op. 18 ⓘ |
| orchestration | symphony orchestra ⓘ |
| originalTitle | Буря NERFINISHED ⓘ |
| originalTitleLanguage | Russian ⓘ |
| partOf | Tchaikovsky’s orchestral repertoire ⓘ |
| period | Romantic era NERFINISHED ⓘ |
| premiereConductor | Nikolai Rubinstein NERFINISHED ⓘ |
| premiereLocation | Moscow NERFINISHED ⓘ |
| publisher | P. Jurgenson NERFINISHED ⓘ |
| revised | 1874 ⓘ |
| style | late Romantic ⓘ |
| subject | Shakespearean drama ⓘ |
| titleLanguage | English ⓘ |
| uses | leitmotifs for characters ⓘ |
| workNumberInComposerOutput | early orchestral work ⓘ |
| workType | concert piece ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Tempest, Op. 18 Description of subject: The Tempest, Op. 18 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by Shakespeare’s play, notable for its vivid orchestral depiction of the drama’s characters and stormy atmosphere.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.