Francesca da Rimini, Op. 32
E869566
Francesca da Rimini, Op. 32 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by the tragic love story from Dante’s Divine Comedy.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Francesca da Rimini (opera) | 1 |
| Francesca da Rimini, Op. 32 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10528514 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Francesca da Rimini, Op. 32 Context triple: [Tchaikovsky orchestral repertoire, includesWork, Francesca da Rimini, Op. 32]
-
A.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
-
B.
Capriccio
Capriccio is a late opera by Richard Strauss that explores the primacy of words versus music in opera through an elegant, conversational “conversation piece” set in 18th-century France.
-
C.
Raymonda, Op. 57
Raymonda, Op. 57 is a full-length classical ballet by Alexander Glazunov, renowned for its rich, melodious score and prominent place in the late 19th-century Russian ballet repertoire.
-
D.
Alceste by Christoph Willibald Gluck
"Alceste" by Christoph Willibald Gluck is an 18th-century opera that exemplifies his reformist style, emphasizing dramatic integrity and expressive simplicity over virtuosic display.
-
E.
The Aspern Papers (opera)
The Aspern Papers (opera) is a contemporary opera adaptation of Henry James's novella, focusing on themes of obsession, secrecy, and the pursuit of artistic legacy.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Francesca da Rimini, Op. 32 Target entity description: Francesca da Rimini, Op. 32 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by the tragic love story from Dante’s Divine Comedy.
-
A.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
-
B.
Capriccio
Capriccio is a late opera by Richard Strauss that explores the primacy of words versus music in opera through an elegant, conversational “conversation piece” set in 18th-century France.
-
C.
Raymonda, Op. 57
Raymonda, Op. 57 is a full-length classical ballet by Alexander Glazunov, renowned for its rich, melodious score and prominent place in the late 19th-century Russian ballet repertoire.
-
D.
Alceste by Christoph Willibald Gluck
"Alceste" by Christoph Willibald Gluck is an 18th-century opera that exemplifies his reformist style, emphasizing dramatic integrity and expressive simplicity over virtuosic display.
-
E.
The Aspern Papers (opera)
The Aspern Papers (opera) is a contemporary opera adaptation of Henry James's novella, focusing on themes of obsession, secrecy, and the pursuit of artistic legacy.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | symphonic poem ⓘ |
| basedOn |
Dante Alighieri's Divine Comedy
NERFINISHED
ⓘ
story of Francesca da Rimini and Paolo Malatesta ⓘ |
| catalogueNumber | TH 46 NERFINISHED ⓘ |
| composer | Pyotr Ilyich Tchaikovsky NERFINISHED ⓘ |
| countryOfOrigin | Russian Empire ⓘ |
| dateComposed | 1876 ⓘ |
| dedicatedTo | Sergei Taneyev NERFINISHED ⓘ |
| depicts |
storm in the second circle of Hell
ⓘ
tragic love of Francesca and Paolo ⓘ |
| duration | approximately 25 minutes ⓘ |
| firstPublisher | P. Jurgenson NERFINISHED ⓘ |
| genre |
program music
ⓘ
symphonic fantasy ⓘ |
| hasInstrumentation | piccolo, flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, tuba, timpani, percussion, strings ⓘ |
| hasMovement | single continuous movement ⓘ |
| inspiredBy |
Dante Alighieri
NERFINISHED
ⓘ
Richard Wagner's music dramas ⓘ |
| key | E minor ⓘ |
| languageOfTitle | Italian ⓘ |
| literarySourcePart | Inferno, Canto V NERFINISHED ⓘ |
| notableFeature |
intense dramatic contrasts
ⓘ
use of leitmotif-like thematic transformation ⓘ virtuosic writing for woodwinds and strings ⓘ |
| opusNumber | Op. 32 ⓘ |
| orchestration | large Romantic orchestra ⓘ |
| period | Romantic era ⓘ |
| placeComposed |
Bayreuth
NERFINISHED
ⓘ
Moscow NERFINISHED ⓘ |
| premiereConductor | Nikolai Rubinstein NERFINISHED ⓘ |
| premiereCountry | Russia NERFINISHED ⓘ |
| premiereDate | February 25, 1877 ⓘ |
| premiereOrchestra | Moscow Russian Musical Society Orchestra NERFINISHED ⓘ |
| premierePlace | Moscow NERFINISHED ⓘ |
| publicationPlace | Moscow NERFINISHED ⓘ |
| relatedWorkByComposer |
Hamlet Overture-Fantasy
NERFINISHED
ⓘ
Romeo and Juliet Overture-Fantasy NERFINISHED ⓘ |
| structure | slow introduction and fast main section ⓘ |
| style | late-Romantic Russian symphonic style ⓘ |
| subject |
Francesca da Rimini (Dante character)
NERFINISHED
ⓘ
Paolo Malatesta NERFINISHED ⓘ adulterous love ⓘ eternal damnation ⓘ |
| title | Francesca da Rimini NERFINISHED ⓘ |
| workType | single-movement orchestral work ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Francesca da Rimini, Op. 32 Description of subject: Francesca da Rimini, Op. 32 is a symphonic fantasy by Pyotr Ilyich Tchaikovsky inspired by the tragic love story from Dante’s Divine Comedy.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
Francesca da Rimini (opera)