Amelia
E863413
Amelia is one of the five daughters in Federico García Lorca’s play "The House of Bernarda Alba," representing youthful repression and fear under her mother Bernarda’s tyrannical rule.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Amelia canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T10452566 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Amelia Context triple: [The House of Bernarda Alba (stage), mainCharacter, Amelia]
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A.
Amelia
"Amelia" is a track featured on the album *Travelogue*, likely contributing a reflective or journey-themed element to the record’s overall narrative.
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B.
Amelia
Amelia is the terror-stricken protagonist of the famous “Zuni doll” segment in the 1975 horror anthology film Trilogy of Terror.
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C.
Amelia
Amelia was a British princess of the early 18th century, the daughter of King George II and Queen Caroline of Ansbach.
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D.
Amelia
Amelia is a feminine given name of Latin and Germanic origin, commonly used in many countries and often associated with figures such as aviation pioneer Amelia Earhart.
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E.
Amelia
"Amelia" is a 1751 novel by Henry Fielding that follows the trials of a virtuous wife and her flawed husband, exploring themes of marriage, morality, and social injustice in 18th-century England.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Amelia Target entity description: Amelia is one of the five daughters in Federico García Lorca’s play "The House of Bernarda Alba," representing youthful repression and fear under her mother Bernarda’s tyrannical rule.
-
A.
Amelia
Amelia is the terror-stricken protagonist of the famous “Zuni doll” segment in the 1975 horror anthology film Trilogy of Terror.
-
B.
Amelia
"Amelia" is a 1751 novel by Henry Fielding that follows the trials of a virtuous wife and her flawed husband, exploring themes of marriage, morality, and social injustice in 18th-century England.
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C.
Amelia
Amelia was a British princess of the early 18th century, the daughter of King George II and Queen Caroline of Ansbach.
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D.
Amelia
Amelia is a feminine given name of Latin and Germanic origin, commonly used in many countries and often associated with figures such as aviation pioneer Amelia Earhart.
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E.
Amelia
Amelia is a historic hilltop town in central Italy’s Umbria region, known for its ancient walls and medieval architecture.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
female character
ⓘ
fictional character ⓘ theatrical character ⓘ |
| appearsIn |
The House of Bernarda Alba
ⓘ
linked to:
The House of Bernarda Alba (stage)
|
| appearsInAct |
Act I
ⓘ
Act II ⓘ Act III ⓘ |
| authorNationality | Spanish ⓘ |
| constrainedBy |
Bernarda’s eight-year mourning decree
ⓘ
linked to:
The House of Bernarda Alba (stage)
|
| contrastsWith | Adela’s rebelliousness ⓘ |
| countryOfWorkOrigin | Spain ⓘ |
| createdBy | Federico García Lorca ⓘ |
| dialogueFunction | expresses fear and conformity ⓘ |
| emotion |
anxiety about social judgment
ⓘ
fear of scandal ⓘ |
| familyName | none specified ⓘ |
| firstPerformanceOfWorkYear | 1945 (posthumous premiere of the play) ⓘ |
| gender | female ⓘ |
| genreOfWork | tragedy ⓘ |
| hasMother | Bernarda Alba ⓘ |
| hasSister |
Adela
ⓘ
Angustias ⓘ Magdalena ⓘ Martirio ⓘ |
| languageOfWork | Spanish ⓘ |
| livesWith |
Adela
ⓘ
Angustias ⓘ Bernarda Alba ⓘ Magdalena ⓘ Martirio ⓘ |
| medium | stage play ⓘ |
| nationalityInFiction | Spanish ⓘ |
| positionInFamily | one of five daughters ⓘ |
| represents |
fear
ⓘ
youthful repression ⓘ |
| settingOfLife | rural Andalusian village ⓘ |
| sharesTraitWith | Martirio’s anxiety ⓘ |
| socialRole | unmarried daughter under strict mourning ⓘ |
| subjectTo | Bernarda Alba’s authoritarian rule ⓘ |
| subordinateTo | Bernarda Alba’s will ⓘ |
| symbolicFunction | internalized social repression ⓘ |
| themeAssociatedWith |
oppression of women
ⓘ
patriarchal and authoritarian control ⓘ repressed desire ⓘ |
| timePeriodInFiction | early 20th century Spain ⓘ |
| workOriginalTitle |
La casa de Bernarda Alba
ⓘ
linked to:
The House of Bernarda Alba (stage)
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Amelia Description of subject: Amelia is one of the five daughters in Federico García Lorca’s play "The House of Bernarda Alba," representing youthful repression and fear under her mother Bernarda’s tyrannical rule.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.