The Exorcist (music contribution)
E858227
The Exorcist (music contribution) is Jack Nitzsche’s chilling and atmospheric score work for the classic 1973 horror film, renowned for its unsettling sound design and enduring influence on horror movie music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Exorcist (music contribution) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10339679 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Exorcist (music contribution) Context triple: [Jack Nitzsche, notableWork, The Exorcist (music contribution)]
-
A.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
-
B.
The Exorcism
"The Exorcism" is a one-act segment from Edward Albee’s play "Who’s Afraid of Virginia Woolf?" in which the psychological and emotional conflicts between the central couple reach a climactic confrontation.
-
C.
The Nun (2018 film) score
The Nun (2018 film) score is a horror film soundtrack composed by Benjamin Wallfisch, known for its dark, atmospheric orchestration and intense choral elements that heighten the movie’s supernatural terror.
-
D.
The Passion of the Christ (additional music)
The Passion of the Christ (additional music) is a set of atmospheric, vocal-driven score contributions by Lisa Gerrard created to complement and enhance the emotional impact of the film’s original soundtrack.
-
E.
The Exorcist III
The Exorcist III is a 1990 supernatural horror film written and directed by William Peter Blatty that continues the story of demonic evil and investigation introduced in the original The Exorcist.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Exorcist (music contribution) Target entity description: The Exorcist (music contribution) is Jack Nitzsche’s chilling and atmospheric score work for the classic 1973 horror film, renowned for its unsettling sound design and enduring influence on horror movie music.
-
A.
The Exorcist (TV series score)
The Exorcist (TV series score) is a dark, atmospheric musical soundtrack composed for the television adaptation of the classic horror franchise, blending ominous orchestration with modern sound design to heighten the series’ tension and psychological terror.
-
B.
The Exorcism
"The Exorcism" is a one-act segment from Edward Albee’s play "Who’s Afraid of Virginia Woolf?" in which the psychological and emotional conflicts between the central couple reach a climactic confrontation.
-
C.
The Nun (2018 film) score
The Nun (2018 film) score is a horror film soundtrack composed by Benjamin Wallfisch, known for its dark, atmospheric orchestration and intense choral elements that heighten the movie’s supernatural terror.
-
D.
The Passion of the Christ (additional music)
The Passion of the Christ (additional music) is a set of atmospheric, vocal-driven score contributions by Lisa Gerrard created to complement and enhance the emotional impact of the film’s original soundtrack.
-
E.
The Exorcist III
The Exorcist III is a 1990 supernatural horror film written and directed by William Peter Blatty that continues the story of demonic evil and investigation introduced in the original The Exorcist.
- F. None of above. chosen
Statements (36)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
music contribution ⓘ soundtrack ⓘ |
| associatedWithCharacter | Regan MacNeil NERFINISHED ⓘ |
| associatedWithGenre | supernatural horror ⓘ |
| associatedWithTheme |
demonic possession
ⓘ
religious horror ⓘ |
| basedOn | The Exorcist (1973 film) NERFINISHED ⓘ |
| composer | Jack Nitzsche NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creditedArtist | Jack Nitzsche NERFINISHED ⓘ |
| describedAs |
atmospheric
ⓘ
chilling ⓘ unsettling ⓘ |
| era | 1970s film music ⓘ |
| forWork | The Exorcist NERFINISHED ⓘ |
| genre |
film music
ⓘ
horror film score ⓘ |
| hasInfluence |
psychological horror scoring approaches
ⓘ
sound design–driven horror scores ⓘ |
| hasQuality | sound design–oriented ⓘ |
| influenced |
horror film music
ⓘ
later horror movie scores ⓘ |
| language | instrumental ⓘ |
| medium |
electronic sound design
ⓘ
orchestral music ⓘ |
| notableFor |
atmospheric textures
ⓘ
chilling mood ⓘ unsettling sound design ⓘ |
| partOf | The Exorcist NERFINISHED ⓘ |
| partOfFranchise | The Exorcist franchise NERFINISHED ⓘ |
| publicationYear | 1973 ⓘ |
| usedFor |
creating fear
ⓘ
creating tension ⓘ enhancing atmosphere ⓘ |
| usedIn | The Exorcist (1973 film) NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Exorcist (music contribution) Description of subject: The Exorcist (music contribution) is Jack Nitzsche’s chilling and atmospheric score work for the classic 1973 horror film, renowned for its unsettling sound design and enduring influence on horror movie music.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.