1905 Salon d’Automne exhibition in Paris
E85696
The 1905 Salon d’Automne exhibition in Paris was a landmark art show where a group of painters later dubbed the “Fauves” shocked critics with their radical use of vivid, non-naturalistic color and bold brushwork, marking the public emergence of Fauvism.
All labels observed (5)
| Label | Occurrences |
|---|---|
| 1905 Salon d'Automne | 1 |
| 1905 Salon d'Automne Fauves exhibition | 1 |
| 1905 Salon d’Automne | 1 |
| 1905 Salon d’Automne exhibition in Paris canonical | 1 |
| Salon d’Automne (Paris) | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T698014 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: 1905 Salon d’Automne exhibition in Paris Context triple: [Fauvism, notableEvent, 1905 Salon d’Automne exhibition in Paris]
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A.
Salon des Indépendants
The Salon des Indépendants was a pioneering Parisian art exhibition founded in 1884 that provided a non-juried platform for avant-garde artists, playing a key role in the emergence of movements like Neo-Impressionism.
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B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
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C.
Impressionist exhibitions
Impressionist exhibitions were a series of independent art shows held in Paris between 1874 and 1886 where artists like Degas, Monet, and Renoir showcased innovative works that broke from traditional academic painting.
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D.
Exposition Internationale des Arts Décoratifs et Industriels Modernes
The Exposition Internationale des Arts Décoratifs et Industriels Modernes was the landmark 1925 Paris world's fair that showcased modern decorative and industrial arts and gave its name and international prominence to the Art Deco style.
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E.
Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937)
The Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937) was a major Paris world’s fair showcasing contemporary art, architecture, and technological innovation on the eve of World War II.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: 1905 Salon d’Automne exhibition in Paris Target entity description: The 1905 Salon d’Automne exhibition in Paris was a landmark art show where a group of painters later dubbed the “Fauves” shocked critics with their radical use of vivid, non-naturalistic color and bold brushwork, marking the public emergence of Fauvism.
-
A.
Salon des Indépendants
The Salon des Indépendants was a pioneering Parisian art exhibition founded in 1884 that provided a non-juried platform for avant-garde artists, playing a key role in the emergence of movements like Neo-Impressionism.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Impressionist exhibitions
Impressionist exhibitions were a series of independent art shows held in Paris between 1874 and 1886 where artists like Degas, Monet, and Renoir showcased innovative works that broke from traditional academic painting.
-
D.
Exposition Internationale des Arts Décoratifs et Industriels Modernes
The Exposition Internationale des Arts Décoratifs et Industriels Modernes was the landmark 1925 Paris world's fair that showcased modern decorative and industrial arts and gave its name and international prominence to the Art Deco style.
-
E.
Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937)
The Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937) was a major Paris world’s fair showcasing contemporary art, architecture, and technological innovation on the eve of World War II.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Salon d’Automne
ⓘ
art exhibition ⓘ |
| aimOfSalon | promote modern and independent art ⓘ |
| artCriticReaction | shock at violent color ⓘ |
| artStyleFeatured |
Fauvist painting
ⓘ
Neo-Impressionism ⓘ Post-Impressionism ⓘ Symbolism ⓘ |
| characteristic |
bold brushwork
ⓘ
emphasis on painterly surface ⓘ simplified forms ⓘ vivid non-naturalistic color ⓘ |
| cityContext | Belle Époque Paris ⓘ |
| country | France ⓘ |
| criticalReaction | controversial ⓘ |
| criticCoinedTerm | Louis Vauxcelles ⓘ |
| endTime | 1905-11-25 ⓘ |
| exhibitedArtist |
Albert Marquet
ⓘ
André Derain ⓘ Charles Camoin ⓘ Henri Manguin ⓘ Henri Matisse ⓘ Jean Puy ⓘ Kees van Dongen ⓘ Maurice de Vlaminck ⓘ |
| exhibitedWork |
Charing Cross Bridge, London
ⓘ
Luxe, Calme et Volupté ⓘ Portrait of Matisse ⓘ Woman with a Hat ⓘ |
| followedBy |
Salon d'Automne
ⓘ
surface form:
1906 Salon d’Automne exhibition in Paris
|
| FrenchTitle |
Salon d'Automne
ⓘ
surface form:
Salon d’Automne de 1905
|
| hasTheme | modern art ⓘ |
| historicalSignificance | public emergence of Fauvism ⓘ |
| impactOnArtHistory | established Fauvism as a major avant-garde movement ⓘ |
| impactOnArtist | launched Henri Matisse’s reputation as a leader of the avant-garde ⓘ |
| languageOfTitle | French ⓘ |
| location | Paris ⓘ |
| movementAssociated | Fauvism ⓘ |
| notableSection | Salle VII ⓘ |
| numberOfWorksByMatisse | approximately 10 ⓘ |
| organizer |
Salon d'Automne
ⓘ
surface form:
Salon d’Automne society
|
| precededBy | 1904 Salon d’Automne exhibition in Paris ⓘ |
| reviewPhrase | Donatello chez les fauves ⓘ |
| season | autumn 1905 ⓘ |
| startTime | 1905-10-18 ⓘ |
| termCoinedAtExhibition | Les Fauves ⓘ |
| venue |
Grand Palais, Paris
ⓘ
surface form:
Grand Palais
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: 1905 Salon d’Automne exhibition in Paris Description of subject: The 1905 Salon d’Automne exhibition in Paris was a landmark art show where a group of painters later dubbed the “Fauves” shocked critics with their radical use of vivid, non-naturalistic color and bold brushwork, marking the public emergence of Fauvism.
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.