Point Break (1991 film score)
E804320
Point Break (1991 film score) is the atmospheric, synth- and jazz-infused action film soundtrack composed by Mark Isham for Kathryn Bigelow’s 1991 surfing-heist movie "Point Break."
All labels observed (1)
| Label | Occurrences |
|---|---|
| Point Break (1991 film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9511171 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Point Break (1991 film score) Context triple: [Mark Isham, notableWork, Point Break (1991 film score)]
-
A.
Mission: Impossible (1996 film score)
Mission: Impossible (1996 film score) is Danny Elfman’s suspenseful and action-driven orchestral soundtrack for the 1996 spy film adaptation of the classic television series.
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B.
L.A. Confidential (1997 film score)
L.A. Confidential (1997 film score) is a neo-noir orchestral soundtrack by composer Jerry Goldsmith, acclaimed for its atmospheric blend of jazz-inflected themes and tense, dramatic scoring that complements the film’s dark, 1950s Los Angeles setting.
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C.
The Fugitive (film score)
The Fugitive (film score) is a 1993 action-thriller film soundtrack composed by James Newton Howard, noted for its tense orchestral writing and effective support of the film’s suspenseful tone.
-
D.
Con Air (film score)
Con Air (film score) is the high-energy, orchestral-action soundtrack composed by Trevor Rabin for the 1997 Nicolas Cage-led blockbuster film "Con Air."
-
E.
Basic Instinct (film score)
Basic Instinct (film score) is a suspenseful, neo-noir orchestral soundtrack composed by Jerry Goldsmith for the 1992 erotic thriller film "Basic Instinct."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Point Break (1991 film score) Target entity description: Point Break (1991 film score) is the atmospheric, synth- and jazz-infused action film soundtrack composed by Mark Isham for Kathryn Bigelow’s 1991 surfing-heist movie "Point Break."
-
A.
Mission: Impossible (1996 film score)
Mission: Impossible (1996 film score) is Danny Elfman’s suspenseful and action-driven orchestral soundtrack for the 1996 spy film adaptation of the classic television series.
-
B.
L.A. Confidential (1997 film score)
L.A. Confidential (1997 film score) is a neo-noir orchestral soundtrack by composer Jerry Goldsmith, acclaimed for its atmospheric blend of jazz-inflected themes and tense, dramatic scoring that complements the film’s dark, 1950s Los Angeles setting.
-
C.
The Fugitive (film score)
The Fugitive (film score) is a 1993 action-thriller film soundtrack composed by James Newton Howard, noted for its tense orchestral writing and effective support of the film’s suspenseful tone.
-
D.
Con Air (film score)
Con Air (film score) is the high-energy, orchestral-action soundtrack composed by Trevor Rabin for the 1997 Nicolas Cage-led blockbuster film "Con Air."
-
E.
Basic Instinct (film score)
Basic Instinct (film score) is a suspenseful, neo-noir orchestral soundtrack composed by Jerry Goldsmith for the 1992 erotic thriller film "Basic Instinct."
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedPeriod | early 1990s film music ⓘ |
| associatedWith |
Kathryn Bigelow
NERFINISHED
ⓘ
Mark Isham NERFINISHED ⓘ |
| basedOn |
electronic music elements
ⓘ
jazz elements ⓘ |
| basedOnWork | screenplay of Point Break (1991 film) ⓘ |
| composer | Mark Isham NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| directorOfRelatedWork | Kathryn Bigelow NERFINISHED ⓘ |
| forWork | Point Break (1991 film) NERFINISHED ⓘ |
| genre |
film score
ⓘ
jazz-influenced score ⓘ soundtrack ⓘ synth-based score ⓘ |
| hasComposerRole | Mark Isham as primary composer ⓘ |
| hasInstrumentation |
electronic percussion
ⓘ
keyboards ⓘ orchestral elements ⓘ saxophone ⓘ synthesizers ⓘ trumpet ⓘ |
| hasMood |
brooding
ⓘ
energetic ⓘ moody ⓘ suspenseful ⓘ |
| hasTargetAudience |
fans of 1990s film scores
ⓘ
fans of Mark Isham ⓘ fans of action film music ⓘ |
| hasType | original motion picture score ⓘ |
| language | instrumental ⓘ |
| medium | audio ⓘ |
| musicStyle | atmospheric ⓘ |
| narrativeFunction |
supports surfing and ocean imagery
ⓘ
underscores tension and action ⓘ |
| notableFor |
blend of synth and jazz elements in an action score
ⓘ
contributing to the cult status of Point Break (1991 film) ⓘ |
| partOf | music of Point Break (1991 film) ⓘ |
| partOfFranchise | Point Break franchise NERFINISHED ⓘ |
| productionContext | Hollywood studio action film ⓘ |
| publicationYear | 1991 ⓘ |
| relatedTo | Point Break (1991 film) soundtrack releases ⓘ |
| usedIn |
action scenes in Point Break (1991 film)
ⓘ
heist sequences in Point Break (1991 film) ⓘ surfing sequences in Point Break (1991 film) ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Point Break (1991 film score) Description of subject: Point Break (1991 film score) is the atmospheric, synth- and jazz-infused action film soundtrack composed by Mark Isham for Kathryn Bigelow’s 1991 surfing-heist movie "Point Break."
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.