Salon of 1822
E801086
The Salon of 1822 was an official Paris art exhibition of the French Académie des Beaux-Arts that showcased contemporary painting and sculpture and played a key role in shaping early 19th-century French artistic taste.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Salon of 1822 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T9442152 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Salon of 1822 Context triple: [Salon of 1819, followedBy, Salon of 1822]
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A.
Salon of 1827
The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.
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B.
Salon of 1817
The Salon of 1817 was an official Paris art exhibition under the Bourbon Restoration that showcased contemporary French painting and sculpture and helped shape post-Napoleonic artistic trends.
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C.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
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D.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
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E.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Salon of 1822 Target entity description: The Salon of 1822 was an official Paris art exhibition of the French Académie des Beaux-Arts that showcased contemporary painting and sculpture and played a key role in shaping early 19th-century French artistic taste.
-
A.
Salon of 1827
The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.
-
B.
Salon of 1817
The Salon of 1817 was an official Paris art exhibition under the Bourbon Restoration that showcased contemporary French painting and sculpture and helped shape post-Napoleonic artistic trends.
-
C.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
-
D.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
-
E.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf |
19th-century art event
ⓘ
Paris Salon ⓘ art exhibition ⓘ |
| access | public exhibition ⓘ |
| aim |
to affirm academic standards in art
ⓘ
to present current artistic production to the public ⓘ |
| artisticMovementContext |
French academic art
ⓘ
transition between Neoclassicism and Romanticism in France ⓘ |
| associatedWith | French Academy tradition of the Salon ⓘ |
| audience |
French art critics
ⓘ
Parisian art public ⓘ patrons and collectors ⓘ |
| chronology |
held after the Salon of 1820
ⓘ
held before the Salon of 1824 ⓘ |
| country | France ⓘ |
| culturalContext |
French art academy system
ⓘ
Restoration-era France NERFINISHED ⓘ |
| exhibitionType | juried exhibition ⓘ |
| field |
fine arts
ⓘ
painting ⓘ sculpture ⓘ |
| genre | art exhibition of painting and sculpture ⓘ |
| hasFormat | periodic Salon exhibition ⓘ |
| influenced |
careers of exhibiting artists
ⓘ
reception of academic art in France ⓘ |
| language | French ⓘ |
| location | Paris ⓘ |
| medium |
bronze sculpture
ⓘ
marble sculpture ⓘ oil painting ⓘ |
| organizer |
Académie des Beaux-Arts
NERFINISHED
ⓘ
French Academy of Fine Arts NERFINISHED ⓘ |
| partOf | Paris Salon exhibitions NERFINISHED ⓘ |
| role | shaping early 19th-century French artistic taste ⓘ |
| selectionProcess | works accepted by academic jury ⓘ |
| significance |
key platform for academic art in France
ⓘ
major official exhibition of contemporary French art ⓘ |
| sponsor | French state NERFINISHED ⓘ |
| subject |
contemporary French painting
ⓘ
contemporary French sculpture ⓘ |
| temporalContext | early 19th century ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Salon of 1822 Description of subject: The Salon of 1822 was an official Paris art exhibition of the French Académie des Beaux-Arts that showcased contemporary painting and sculpture and played a key role in shaping early 19th-century French artistic taste.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.