Writings on psychoacoustics and computer music
E76257
Writings on psychoacoustics and computer music is a collection of influential works by John R. Pierce exploring the perception of sound and its application in electronic and computer-generated music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Writings on psychoacoustics and computer music canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T608258 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Writings on psychoacoustics and computer music Context triple: [John R. Pierce, notableWork, Writings on psychoacoustics and computer music]
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A.
The Science of Musical Sound
The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
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B.
Acoustics Today
Acoustics Today is a magazine-style publication that provides accessible articles and updates on research, applications, and developments in the field of acoustics.
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C.
Proceedings of Meetings on Acoustics
Proceedings of Meetings on Acoustics is a scholarly journal and conference proceedings series that publishes peer-reviewed research papers and presentations in the field of acoustics.
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D.
Speech Analysis, Synthesis and Perception
"Speech Analysis, Synthesis and Perception" is a foundational technical book that systematically explores the theory, modeling, and processing of human speech signals for analysis, synthesis, and recognition.
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E.
The Journal of the Acoustical Society of America
The Journal of the Acoustical Society of America is a leading peer-reviewed scientific journal that publishes research on the science and technology of sound, including acoustics, psychoacoustics, and related fields.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Writings on psychoacoustics and computer music Target entity description: Writings on psychoacoustics and computer music is a collection of influential works by John R. Pierce exploring the perception of sound and its application in electronic and computer-generated music.
-
A.
The Science of Musical Sound
The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
-
B.
Acoustics Today
Acoustics Today is a magazine-style publication that provides accessible articles and updates on research, applications, and developments in the field of acoustics.
-
C.
Proceedings of Meetings on Acoustics
Proceedings of Meetings on Acoustics is a scholarly journal and conference proceedings series that publishes peer-reviewed research papers and presentations in the field of acoustics.
-
D.
Speech Analysis, Synthesis and Perception
"Speech Analysis, Synthesis and Perception" is a foundational technical book that systematically explores the theory, modeling, and processing of human speech signals for analysis, synthesis, and recognition.
-
E.
The Journal of the Acoustical Society of America
The Journal of the Acoustical Society of America is a leading peer-reviewed scientific journal that publishes research on the science and technology of sound, including acoustics, psychoacoustics, and related fields.
- F. None of above. chosen
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
collection of essays ⓘ |
| about |
history of computer music
ⓘ
interaction between technology and musical perception ⓘ theory of hearing in relation to music ⓘ |
| author | John R. Pierce ⓘ |
| explores |
applications of psychoacoustics in music composition
ⓘ
applications of psychoacoustics in sound design ⓘ relationship between sound perception and musical structure ⓘ use of computers in music research ⓘ |
| fieldOfStudy |
acoustics
ⓘ
audio engineering ⓘ music technology ⓘ |
| focusesOn |
computer-generated music
ⓘ
electronic sound production ⓘ human auditory perception ⓘ loudness perception ⓘ pitch perception ⓘ sound synthesis ⓘ timbre perception ⓘ |
| genre |
non-fiction
ⓘ
scientific literature ⓘ |
| hasContributor | John R. Pierce ⓘ |
| hasPerspective |
engineering approach to music
ⓘ
scientific approach to musical sound ⓘ |
| influencedField |
computer music research
ⓘ
electronic music composition ⓘ psychoacoustic modeling in audio ⓘ |
| language | English ⓘ |
| mainSubject |
computer music
ⓘ
electronic music ⓘ perception of sound ⓘ psychoacoustics ⓘ |
| relatedTo |
digital signal processing in music
ⓘ
electronic music ⓘ music perception research ⓘ |
| targetAudience |
computer music composers
ⓘ
researchers in psychoacoustics ⓘ students of music technology ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Writings on psychoacoustics and computer music Description of subject: Writings on psychoacoustics and computer music is a collection of influential works by John R. Pierce exploring the perception of sound and its application in electronic and computer-generated music.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.