Schumann’s alter egos Florestan and Eusebius

Target entity: Schumann’s alter egos Florestan and Eusebius
Context triple: [Davidsbündlertänze, Op. 6, reflects, Schumann’s alter egos Florestan and Eusebius]

• A. Robert Schumann: Novelletten, Op. 21
  Robert Schumann: Novelletten, Op. 21 is a set of eight character pieces for solo piano composed in 1838 that showcase Schumann’s imaginative, narrative style and virtuosic writing.
• B. The Case of Wagner
  The Case of Wagner is a critical essay by Friedrich Nietzsche in which he vehemently attacks Richard Wagner’s music and cultural influence as symptomatic of modern decadence.
• C. Prussian Sonatas
  Prussian Sonatas are a set of early keyboard sonatas by Carl Philipp Emanuel Bach that showcase his emerging empfindsamer Stil and helped establish his reputation as a leading composer of the mid-18th century.
• D. Scenes from Goethe’s Faust
  Scenes from Goethe’s Faust is a large-scale choral-orchestral work by Robert Schumann that sets key episodes from Johann Wolfgang von Goethe’s dramatic poem "Faust" to music.
• E. Schwanengesang
  Schwanengesang is a posthumously published collection of Franz Schubert’s late lieder, renowned for its emotional depth and expressive settings of German Romantic poetry.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Schumann’s alter egos Florestan and Eusebius
Target entity description: Schumann’s alter egos Florestan and Eusebius are contrasting fictional personae—one impetuous and passionate, the other introspective and dreamy—that he used to embody the dual aspects of his musical and emotional character.

• A. Robert Schumann: Novelletten, Op. 21
  Robert Schumann: Novelletten, Op. 21 is a set of eight character pieces for solo piano composed in 1838 that showcase Schumann’s imaginative, narrative style and virtuosic writing.
• B. The Case of Wagner
  The Case of Wagner is a critical essay by Friedrich Nietzsche in which he vehemently attacks Richard Wagner’s music and cultural influence as symptomatic of modern decadence.
• C. Prussian Sonatas
  Prussian Sonatas are a set of early keyboard sonatas by Carl Philipp Emanuel Bach that showcase his emerging empfindsamer Stil and helped establish his reputation as a leading composer of the mid-18th century.
• D. Scenes from Goethe’s Faust
  Scenes from Goethe’s Faust is a large-scale choral-orchestral work by Robert Schumann that sets key episodes from Johann Wolfgang von Goethe’s dramatic poem "Faust" to music.
• E. Schwanengesang
  Schwanengesang is a posthumously published collection of Franz Schubert’s late lieder, renowned for its emotional depth and expressive settings of German Romantic poetry.
• F. None of above. chosen