A Clockwork Orange (film score)
E725842
A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
All labels observed (1)
| Label | Occurrences |
|---|---|
| A Clockwork Orange (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8319897 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: A Clockwork Orange (film score) Context triple: [Wendy Carlos, notableWork, A Clockwork Orange (film score)]
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A.
Apocalypse Now (film score)
Apocalypse Now (film score) is the atmospheric and experimental musical soundtrack composed by Carmine Coppola (with contributions from Francis Ford Coppola) for the 1979 Vietnam War film "Apocalypse Now."
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B.
The Godfather (film score)
The Godfather (film score) is Nino Rota’s iconic, melancholic orchestral soundtrack for Francis Ford Coppola’s 1972 crime film, renowned for its haunting main theme and evocative portrayal of the Corleone family’s world.
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C.
Serpico (film score)
Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
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D.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
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E.
Fahrenheit 451 (1966 film) score
The score for the 1966 film "Fahrenheit 451" is a distinctive, atmospheric orchestral soundtrack composed by Bernard Herrmann that underscores the movie’s dystopian mood and emotional tension.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: A Clockwork Orange (film score) Target entity description: A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
-
A.
Apocalypse Now (film score)
Apocalypse Now (film score) is the atmospheric and experimental musical soundtrack composed by Carmine Coppola (with contributions from Francis Ford Coppola) for the 1979 Vietnam War film "Apocalypse Now."
-
B.
The Godfather (film score)
The Godfather (film score) is Nino Rota’s iconic, melancholic orchestral soundtrack for Francis Ford Coppola’s 1972 crime film, renowned for its haunting main theme and evocative portrayal of the Corleone family’s world.
-
C.
Serpico (film score)
Serpico (film score) is the musical soundtrack composed by Mikis Theodorakis for the 1973 crime drama film "Serpico," noted for its tense, atmospheric themes that underscore the movie’s gritty realism.
-
D.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
E.
Fahrenheit 451 (1966 film) score
The score for the 1966 film "Fahrenheit 451" is a distinctive, atmospheric orchestral soundtrack composed by Bernard Herrmann that underscores the movie’s dystopian mood and emotional tension.
- F. None of above. chosen
Statements (42)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithComposer | Wendy Carlos NERFINISHED ⓘ |
| associatedWithDirector | Stanley Kubrick NERFINISHED ⓘ |
| associatedWithTheme |
dystopia
ⓘ
psychological manipulation ⓘ ultraviolence ⓘ |
| basedOn | A Clockwork Orange (novel) NERFINISHED ⓘ |
| composer | Wendy Carlos NERFINISHED ⓘ |
| composerGender | female ⓘ |
| composerNationality | American ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| directorOfRelatedWork | Stanley Kubrick NERFINISHED ⓘ |
| forWork | A Clockwork Orange (1971 film) NERFINISHED ⓘ |
| genre |
classical music
ⓘ
electronic music ⓘ film score ⓘ |
| hasInnovation |
electronic realizations of classical repertoire
ⓘ
integration of synthesizer with orchestral textures ⓘ |
| hasReception | critically acclaimed for innovation ⓘ |
| hasType | soundtrack to dystopian film ⓘ |
| influenced |
later electronic film scores
ⓘ
use of synthesizers in cinema ⓘ |
| influencedBy |
Baroque music
ⓘ
European classical music ⓘ Johann Sebastian Bach NERFINISHED ⓘ Ludwig van Beethoven NERFINISHED ⓘ |
| language | instrumental ⓘ |
| medium |
audio cassette
ⓘ
compact disc ⓘ digital audio ⓘ vinyl record ⓘ |
| notableFor |
collaboration with Stanley Kubrick
ⓘ
electronic reinterpretations of classical music ⓘ use of Moog synthesizer ⓘ |
| originallyComposedFor | A Clockwork Orange (1971 film) NERFINISHED ⓘ |
| partOf | music of A Clockwork Orange franchise ⓘ |
| publicationDecade | 1970s ⓘ |
| style |
experimental electronic music
ⓘ
synthesized classical music ⓘ |
| usesInstrument |
Moog synthesizer
NERFINISHED
ⓘ
electronic keyboard ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: A Clockwork Orange (film score) Description of subject: A Clockwork Orange (film score) is the electronic and classical music soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1971 dystopian film, noted for its innovative use of Moog synthesizers and reinterpretations of classical pieces.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.