Joseph Haydn's oratorio Armida
E712272
Joseph Haydn's oratorio *Armida* is a late 18th-century dramatic work for voices and orchestra that retells the love and conflict between the sorceress Armida and the crusader Rinaldo from Torquato Tasso’s epic poem.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Joseph Haydn's oratorio Armida canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8141246 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Joseph Haydn's oratorio Armida Context triple: [Gerusalemme liberata, hasAdaptation, Joseph Haydn's oratorio Armida]
-
A.
Handel Messiah
Handel's Messiah is a renowned 18th-century English-language oratorio by George Frideric Handel, celebrated for its choral writing and especially the "Hallelujah" chorus, and frequently performed during the Christmas and Easter seasons.
-
B.
Haydn The Creation
Haydn’s *The Creation* is a late 18th-century oratorio that vividly depicts the biblical story of the world’s creation through large-scale choral and orchestral writing.
-
C.
George Frideric Handel’s oratorio "Belshazzar"
George Frideric Handel’s oratorio "Belshazzar" is a Baroque dramatic work that depicts the biblical story of the fall of Babylon under the rule of King Belshazzar.
-
D.
Gluck’s Orfeo ed Euridice ballet music
Gluck’s Orfeo ed Euridice ballet music is the orchestral dance and ballet score composed by Christoph Willibald Gluck for his reform opera "Orfeo ed Euridice," noted for its graceful melodies and dramatic expressiveness.
-
E.
Handel’s Water Music
Handel’s Water Music is a celebrated collection of orchestral suites by George Frideric Handel, composed for a royal barge performance on the River Thames in 1717 and now widely performed as a staple of Baroque repertoire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Joseph Haydn's oratorio Armida Target entity description: Joseph Haydn's oratorio *Armida* is a late 18th-century dramatic work for voices and orchestra that retells the love and conflict between the sorceress Armida and the crusader Rinaldo from Torquato Tasso’s epic poem.
-
A.
Handel Messiah
Handel's Messiah is a renowned 18th-century English-language oratorio by George Frideric Handel, celebrated for its choral writing and especially the "Hallelujah" chorus, and frequently performed during the Christmas and Easter seasons.
-
B.
Haydn The Creation
Haydn’s *The Creation* is a late 18th-century oratorio that vividly depicts the biblical story of the world’s creation through large-scale choral and orchestral writing.
-
C.
George Frideric Handel’s oratorio "Belshazzar"
George Frideric Handel’s oratorio "Belshazzar" is a Baroque dramatic work that depicts the biblical story of the fall of Babylon under the rule of King Belshazzar.
-
D.
Gluck’s Orfeo ed Euridice ballet music
Gluck’s Orfeo ed Euridice ballet music is the orchestral dance and ballet score composed by Christoph Willibald Gluck for his reform opera "Orfeo ed Euridice," noted for its graceful melodies and dramatic expressiveness.
-
E.
Handel’s Water Music
Handel’s Water Music is a celebrated collection of orchestral suites by George Frideric Handel, composed for a royal barge performance on the River Thames in 1717 and now widely performed as a staple of Baroque repertoire.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf | opera ⓘ |
| basedOn |
Gerusalemme liberata
NERFINISHED
ⓘ
Torquato Tasso's epic poem ⓘ |
| catalogueNumber | Hob. XXVIII:12 NERFINISHED ⓘ |
| character |
Armida
NERFINISHED
ⓘ
Clotarco NERFINISHED ⓘ Hidraot NERFINISHED ⓘ Idreno NERFINISHED ⓘ Rinaldo NERFINISHED ⓘ Ubaldo NERFINISHED ⓘ Zelmira NERFINISHED ⓘ |
| commissionedBy | Prince Nikolaus Esterházy I NERFINISHED ⓘ |
| composer | Joseph Haydn NERFINISHED ⓘ |
| countryOfOrigin | Habsburg Monarchy NERFINISHED ⓘ |
| firstPublisher | Artaria (partial publication) NERFINISHED ⓘ |
| form | through-composed opera ⓘ |
| genre | opera seria ⓘ |
| hasAria |
“Odio, furor, dispetto”
NERFINISHED
ⓘ
“Parto, ma qual da te” NERFINISHED ⓘ “Se pietade avete, oh Numi” ⓘ |
| hasEnsemble | finale of Act III ⓘ |
| influencedBy | Italian opera seria tradition ⓘ |
| language | Italian ⓘ |
| librettist | Nunziato Porta NERFINISHED ⓘ |
| mainCharacter |
Armida
NERFINISHED
ⓘ
Rinaldo NERFINISHED ⓘ |
| musicPeriod | Classical era ⓘ |
| notableFeature | one of Haydn's most highly regarded operas ⓘ |
| numberOfActs | 3 ⓘ |
| orchestration | voices and orchestra ⓘ |
| originalVenueType | court theatre ⓘ |
| period | Classical period ⓘ |
| placeInOeuvre | late stage work by Joseph Haydn ⓘ |
| premiereDate | 1784-02-26 ⓘ |
| premierePlace | Eszterháza NERFINISHED ⓘ |
| premiereTheatre | Eszterháza court theatre NERFINISHED ⓘ |
| setting | First Crusade NERFINISHED ⓘ |
| structure | recitatives, arias, ensembles, and choruses ⓘ |
| style | late 18th-century Italian opera ⓘ |
| subject |
Christian crusaders in the Holy Land
ⓘ
conflict between duty and passion ⓘ love between Armida and Rinaldo ⓘ |
| theme |
heroic warfare
ⓘ
religious and moral duty ⓘ sorcery and enchantment ⓘ |
| title | Armida NERFINISHED ⓘ |
| workType | dramatic work for voices and orchestra ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Joseph Haydn's oratorio Armida Description of subject: Joseph Haydn's oratorio *Armida* is a late 18th-century dramatic work for voices and orchestra that retells the love and conflict between the sorceress Armida and the crusader Rinaldo from Torquato Tasso’s epic poem.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Gerusalemme liberata