The Hours (film score)
E684678
The Hours (film score) is a minimalist, emotionally resonant film soundtrack by composer Philip Glass, noted for its repetitive piano and string motifs that underscore the intertwined narratives of the 2002 film "The Hours."
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Hours (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7725121 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Hours (film score) Context triple: [Philip Glass, notableWork, The Hours (film score)]
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A.
25th Hour (film score)
25th Hour (film score) is a jazz-inflected orchestral soundtrack composed by Terence Blanchard for Spike Lee’s 2002 drama film "25th Hour."
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B.
The Alcoa Hour soundtrack
The Alcoa Hour soundtrack is a collection of musical pieces composed and compiled for the 1950s American television anthology series "The Alcoa Hour."
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C.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
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D.
21 Grams (film score)
21 Grams (film score) is the atmospheric, guitar-driven soundtrack composed by Gustavo Santaolalla for Alejandro González Iñárritu’s 2003 drama film "21 Grams."
-
E.
Three Days of the Condor (film score)
Three Days of the Condor (film score) is a 1975 jazz-influenced film soundtrack by composer Dave Grusin, noted for its atmospheric blend of suspenseful orchestration and contemporary grooves.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Hours (film score) Target entity description: The Hours (film score) is a minimalist, emotionally resonant film soundtrack by composer Philip Glass, noted for its repetitive piano and string motifs that underscore the intertwined narratives of the 2002 film "The Hours."
-
A.
25th Hour (film score)
25th Hour (film score) is a jazz-inflected orchestral soundtrack composed by Terence Blanchard for Spike Lee’s 2002 drama film "25th Hour."
-
B.
The Alcoa Hour soundtrack
The Alcoa Hour soundtrack is a collection of musical pieces composed and compiled for the 1950s American television anthology series "The Alcoa Hour."
-
C.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
D.
21 Grams (film score)
21 Grams (film score) is the atmospheric, guitar-driven soundtrack composed by Gustavo Santaolalla for Alejandro González Iñárritu’s 2003 drama film "21 Grams."
-
E.
Three Days of the Condor (film score)
Three Days of the Condor (film score) is a 1975 jazz-influenced film soundtrack by composer Dave Grusin, noted for its atmospheric blend of suspenseful orchestration and contemporary grooves.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithCharacter |
Clarissa Vaughan (character in The Hours)
NERFINISHED
ⓘ
Laura Brown (character in The Hours) NERFINISHED ⓘ Virginia Woolf (character in The Hours) NERFINISHED ⓘ |
| basedOn | The Hours (2002 film) NERFINISHED ⓘ |
| composer | Philip Glass NERFINISHED ⓘ |
| conductor | Michael Riesman NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception | widely praised for emotional resonance ⓘ |
| directorOfAssociatedWork | Stephen Daldry NERFINISHED ⓘ |
| genre |
contemporary classical music
ⓘ
film score ⓘ minimalist music ⓘ |
| hasTrack |
An Unwelcome Friend
NERFINISHED
ⓘ
Choosing Life NERFINISHED ⓘ Dead Things NERFINISHED ⓘ Escape NERFINISHED ⓘ For Your Own Benefit NERFINISHED ⓘ I'm Going to Make a Cake NERFINISHED ⓘ Morning Passages NERFINISHED ⓘ Something She Has To Do NERFINISHED ⓘ The Hours NERFINISHED ⓘ The Kiss NERFINISHED ⓘ The Poet Acts NERFINISHED ⓘ Vanessa and the Changelings NERFINISHED ⓘ Why Does Someone Have to Die? NERFINISHED ⓘ |
| influenced | subsequent minimalist film scores ⓘ |
| label | Nonesuch Records NERFINISHED ⓘ |
| language | instrumental ⓘ |
| nominatedFor |
Academy Award for Best Original Score
ⓘ
BAFTA Award for Best Film Music NERFINISHED ⓘ Golden Globe Award for Best Original Score NERFINISHED ⓘ |
| notableFeature |
emotional and meditative tone
ⓘ
minimalist ostinato patterns ⓘ repetitive piano motifs ⓘ string motifs ⓘ |
| originallyComposedFor | The Hours (2002 film) NERFINISHED ⓘ |
| partOf | The Hours (franchise) NERFINISHED ⓘ |
| partOfComposerOeuvre | Philip Glass film music ⓘ |
| performer |
Michael Riesman
NERFINISHED
ⓘ
Nick Ingman NERFINISHED ⓘ The Lyric Quartet NERFINISHED ⓘ |
| producer |
Kurt Munkacsi
NERFINISHED
ⓘ
Michael Riesman NERFINISHED ⓘ |
| recordedIn | 2001 ⓘ |
| releaseYear | 2002 ⓘ |
| styleCharacteristic |
piano-led textures with strings accompaniment
ⓘ
repetition and gradual variation ⓘ |
| usedToUnderscore | intertwined narratives of three women ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Hours (film score) Description of subject: The Hours (film score) is a minimalist, emotionally resonant film soundtrack by composer Philip Glass, noted for its repetitive piano and string motifs that underscore the intertwined narratives of the 2002 film "The Hours."
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.