Officium Defunctorum

E670762

Officium Defunctorum is a renowned late-16th-century Requiem mass and funeral office by Spanish Renaissance composer Tomás Luis de Victoria, celebrated for its profound spirituality and rich polyphonic writing.

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Statements (48)

Predicate Object
instanceOf Requiem mass
funeral office
musical composition
alsoKnownAs Requiem of 1603
associatedCity Madrid
associatedComposer Tomás Luis de Victoria
associatedReligiousOrder Hieronymite nuns of Descalzas Reales
composer Tomás Luis de Victoria
countryOfOrigin Spain
dateOfComposition 1603
dedicatedTo Empress Maria of Austria
firstPublicationPlace Madrid
firstPublicationYear 1605
genre Renaissance polyphony
sacred music
historicalSignificance considered Victoria’s musical testament
one of the most important Requiems of the Renaissance
language Latin
liturgicalFunction Mass for the Dead
Office of the Dead
liturgicalTextSource Office of the Dead
Roman Catholic Requiem Mass
musicalEra Renaissance
notableMovement Libera me, Domine
linked to: Libera me

Taedet animam meam
Versa est in luctum
numberOfVoices 6
occasion funeral of Empress Maria of Austria
performancePractice concert performance
liturgical performance
period late 16th century
placeOfFirstPerformance Descalzas Reales convent, Madrid
publisher Imprenta Real, Madrid
reception admired for rich polyphonic writing
celebrated for profound spirituality
religiousTradition Roman Catholicism
scoring voices a cappella
structureIncludes Lesson
Motet
Requiem Mass
Responsories of the Office of the Dead
styleCharacteristic expressive text setting
imitation
modal harmony
subjectMatter prayers for the dead
texture polyphonic
titleLanguage Latin
titleTranslation Office of the Dead

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Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Tomás Luis de Victoria notableWork Officium Defunctorum
Cristóbal de Morales notableWork Officium Defunctorum (Requiem mass)
linked to: Officium Defunctorum