Brecht–Weill collaborations

E621919

The Brecht–Weill collaborations are a series of influential early 20th-century musical and theatrical works created by playwright Bertolt Brecht and composer Kurt Weill, known for their sharp social critique and innovative fusion of drama and music.

All labels observed (3)

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Statements (51)

Predicate Object
instanceOf artistic collaboration
musical theatre cycle
theatrical work series
countryOfOrigin Germany
creativeApproach alienation effect
fusion of drama and music
use of song as commentary
creativeDirection anti-bourgeois
satire of capitalism
social critique
endTime early 1930s
genre epic theatre
musical theatre
opera
political theatre
hasPart Happy End
Mahagonny-Songspiel
linked to: Mahagonny Songspiel

Rise and Fall of the City of Mahagonny
The Lindbergh Flight
The Seven Deadly Sins
The Threepenny Opera
The Yes-Sayer
historicalPeriod Weimar Republic
influenced 20th-century musical theatre
contemporary opera
political cabaret
influencedBy German cabaret
Marxism
jazz
popular song
language German
location Berlin
mainParticipants Bertolt Brecht
Kurt Weill
movement Weimar culture
avant-garde
modernism
notableWork Aufstieg und Fall der Stadt Mahagonny
Der Jasager
Der Lindberghflug
Die Dreigroschenoper
Die sieben Todsünden
Happy End
Mahagonny-Songspiel
linked to: Mahagonny Songspiel

Rise and Fall of the City of Mahagonny
The Lindbergh Flight
The Seven Deadly Sins
The Threepenny Opera
The Yes-Sayer
linked to: Der Neinsager
significantEvent premiere of The Threepenny Opera in 1928 at Theater am Schiffbauerdamm, Berlin
startTime late 1920s

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Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Rise and Fall of the City of Mahagonny associatedWith Brecht–Weill collaborations
Whisky Song associatedWith Kurt Weill–Bertolt Brecht collaborations
linked to: Brecht–Weill collaborations
Bertolt Brecht and Kurt Weill hasPart Bertolt Brecht–Kurt Weill song repertoire
linked to: Brecht–Weill collaborations