Gounod’s Faust (Paris version)
E591733
Gounod’s Faust (Paris version) is the revised French grand opera adaptation of Goethe’s Faust that became one of the most popular and frequently performed works in the 19th-century operatic repertoire.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Gounod’s Faust (Paris version) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6416943 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Gounod’s Faust (Paris version) Context triple: [Salle Le Peletier, hostedPremiereOf, Gounod’s Faust (Paris version)]
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A.
Berlioz La damnation de Faust
Berlioz's *La damnation de Faust* is a dramatic legend for soloists, chorus, and orchestra that vividly reimagines Goethe’s Faust through richly orchestrated, theatrical music often performed in concert form.
-
B.
L'Arlésienne
L'Arlésienne is a series of portraits by Vincent van Gogh depicting a woman from Arles, emblematic of his bold color and expressive style during his time in southern France.
-
C.
Faust, Part One
Faust, Part One is the first part of Goethe’s dramatic masterpiece that retells the Faust legend, exploring themes of ambition, desire, and the quest for meaning through a pact with the devil.
-
D.
Le Rêve (opera)
Le Rêve is an opera adaptation of Émile Zola’s novel of the same name, focusing on themes of innocence, faith, and tragic love.
-
E.
Pelléas et Mélisande, Op. 80
Pelléas et Mélisande, Op. 80 is Gabriel Fauré’s atmospheric incidental music for Maurice Maeterlinck’s symbolist play, noted for its refined orchestration and lyrical, impressionistic character.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Gounod’s Faust (Paris version) Target entity description: Gounod’s Faust (Paris version) is the revised French grand opera adaptation of Goethe’s Faust that became one of the most popular and frequently performed works in the 19th-century operatic repertoire.
-
A.
Berlioz La damnation de Faust
Berlioz's *La damnation de Faust* is a dramatic legend for soloists, chorus, and orchestra that vividly reimagines Goethe’s Faust through richly orchestrated, theatrical music often performed in concert form.
-
B.
L'Arlésienne
L'Arlésienne is a series of portraits by Vincent van Gogh depicting a woman from Arles, emblematic of his bold color and expressive style during his time in southern France.
-
C.
Faust, Part One
Faust, Part One is the first part of Goethe’s dramatic masterpiece that retells the Faust legend, exploring themes of ambition, desire, and the quest for meaning through a pact with the devil.
-
D.
Le Rêve (opera)
Le Rêve is an opera adaptation of Émile Zola’s novel of the same name, focusing on themes of innocence, faith, and tragic love.
-
E.
Pelléas et Mélisande, Op. 80
Pelléas et Mélisande, Op. 80 is Gabriel Fauré’s atmospheric incidental music for Maurice Maeterlinck’s symbolist play, noted for its refined orchestration and lyrical, impressionistic character.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | opera ⓘ |
| basedOn | Faust by Johann Wolfgang von Goethe NERFINISHED ⓘ |
| characterVoiceType |
Faust is a tenor role
NERFINISHED
ⓘ
Marguerite is a soprano role NERFINISHED ⓘ Méphistophélès is a bass role NERFINISHED ⓘ Valentin is a baritone role NERFINISHED ⓘ |
| composer | Charles Gounod NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| genre | French grand opera ⓘ |
| historicalSignificance |
became one of the most frequently performed operas of the late 19th century
ⓘ
helped establish Gounod’s international reputation ⓘ |
| influenceOn | later French operatic treatments of Faustian themes ⓘ |
| language | French ⓘ |
| librettist |
Jules Barbier
NERFINISHED
ⓘ
Michel Carré NERFINISHED ⓘ |
| mainCharacter |
Faust
NERFINISHED
ⓘ
Marguerite NERFINISHED ⓘ Méphistophélès NERFINISHED ⓘ Valentin NERFINISHED ⓘ |
| notableAria |
Ah! je ris de me voir si belle en ce miroir
ⓘ
Avant de quitter ces lieux ⓘ Salut! demeure chaste et pure NERFINISHED ⓘ |
| notableFeature |
expanded choral and ensemble scenes compared to earlier versions
ⓘ
includes extensive ballet music in the Paris grand opera tradition ⓘ |
| notableNumber |
Soldiers’ Chorus
NERFINISHED
ⓘ
Walpurgis Night scene NERFINISHED ⓘ |
| notableRecording | has been recorded numerous times by major opera companies and labels ⓘ |
| numberOfActs | 5 ⓘ |
| orchestration | full romantic orchestra ⓘ |
| originalTitle | Faust NERFINISHED ⓘ |
| performancePractice | often performed with cuts and alterations ⓘ |
| periodOfSetting | 16th century ⓘ |
| premiereLocation | Théâtre Lyrique, Paris NERFINISHED ⓘ |
| setting | Germany NERFINISHED ⓘ |
| style | lyric romanticism ⓘ |
| subject |
Faustian bargain
ⓘ
deal with the Devil ⓘ |
| thematicFocus |
conflict between good and evil
ⓘ
redemption through love ⓘ temptation and damnation ⓘ |
| timePeriodOfPopularity | 19th century ⓘ |
| vocalForces |
children’s chorus
ⓘ
mixed chorus ⓘ solo voices ⓘ |
| workTitleElement | often referred to simply as Faust in opera repertory lists ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Gounod’s Faust (Paris version) Description of subject: Gounod’s Faust (Paris version) is the revised French grand opera adaptation of Goethe’s Faust that became one of the most popular and frequently performed works in the 19th-century operatic repertoire.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.