Stax Records studio

E579618

Stax Records studio was a legendary Memphis recording studio and record label headquarters that became a cornerstone of Southern soul music and a major cultural hub for African-American artists in the 1960s and 1970s.

All labels observed (12)

How this entity was disambiguated

Statements (49)

Predicate Object
instanceOf music landmark
recording studio
activePeriod 1960s
1970s
associatedWith Stax Records
coFoundedBy Estelle Axton
country United States
culturalRole major cultural hub for African-American artists
demolished 1989
foundedBy Jim Stewart
functionedAs record label headquarters
recording studio
genreSpecialty Southern soul
rhythm and blues
soul music
heritageDesignation important site in American music history
houseBand Booker T. & the M.G.'s
houseHornSection The Mar-Keys
The Memphis Horns
influencedGenre Southern rock
funk
soul music
knownFor collaborative, band-oriented production style
live, raw recording aesthetic
locatedIn Memphis, Tennessee
linked to: Memphis
locatedInNeighborhood Soulsville, USA neighborhood of Memphis
linked to: Soulsville, USA
notableFor distinctive Memphis soul sound
racially integrated house band and staff during the civil rights era
originalName Satellite Records studio
recordedArtist Albert King
Carla Thomas
Eddie Floyd
Isaac Hayes
Otis Redding
Rufus Thomas
Sam & Dave
The Staple Singers
Wilson Pickett
recordedForLabel Stax Records
Volt Records
recordedHitSong "Dock of the Bay" (studio work related to Otis Redding recordings)
"Green Onions"
linked to: Green Onions

"Hold On, I'm Comin'"
"Soul Man"
linked to: Soul Man

"Theme from Shaft"
recordLabelHeadquartersOf Stax Records
siteNowOccupiedBy Stax Museum of American Soul Music
socialContext operated during the American civil rights movement
streetAddressHistoric 926 East McLemore Avenue, Memphis

How these facts were elicited

Referenced by (24)

Full triples — surface form annotated when it differs from this entity's canonical label.

(Sittin' On) The Dock of the Bay recordedAt Stax Studios, Memphis, Tennessee
linked to: Stax Records studio
I'll Play the Blues for You recordedAt Stax Recording Studio
linked to: Stax Records studio
Eddie Floyd workedAt Stax Records studio in Memphis
linked to: Stax Records studio
Stax studio alsoKnownAs Stax Records studio
Stax studio alsoKnownAs Stax Recording Studio
linked to: Stax Records studio
Stax studio alsoKnownAs Soulsville U.S.A. studio
linked to: Stax Records studio
Green Onions recordingLocation Stax studio, Memphis, Tennessee
linked to: Stax Records studio
Hip Hug-Her recordedAt Stax Recording Studio
linked to: Stax Records studio
Soul Dressing recordingLocation Stax Recording Studio
linked to: Stax Records studio
Let Me Be Good to You recordedAt Stax Records studio
Volt Records associatedStudio Stax studio in Memphis
linked to: Stax Records studio
You Don't Know Like I Know recordedAt Stax studio, Memphis, Tennessee
linked to: Stax Records studio
The Great Otis Redding Sings Soul Ballads recordedAt Stax Recording Studio
linked to: Stax Records studio
Jim Stewart associatedWith Stax Records studio at 926 East McLemore Avenue
subject linked to: Jim Stewart (record producer)
linked to: Stax Records studio
Raise Your Hand recordedAt Stax Records studio, Memphis, Tennessee
linked to: Stax Records studio
I've Never Found a Girl recordedAt Stax Records studio
subject linked to: I've Never Found a Girl (album)
Theme from Shaft recordedInStudio Stax Recording Studio
subject linked to: "Theme from Shaft"
linked to: Stax Records studio
My Sweet Potato recordedAt Stax Studios, Memphis
linked to: Stax Records studio
Last Night recordedAt Stax studio, Memphis
linked to: Stax Records studio
Ron Capone associatedWithStudio Stax studio in Memphis
linked to: Stax Records studio
Complete & Unbelievable: The Otis Redding Dictionary of Soul studio Stax Records’ Studio A
linked to: Stax Records studio
Wayne Jackson recordedAt Stax Records studio in Memphis
linked to: Stax Records studio