Strange Interlude
E55181
Strange Interlude is a landmark experimental play by Eugene O’Neill, renowned for its use of interior monologues to explore the psychological lives and moral conflicts of its characters.
All labels observed (12)
How this entity was disambiguated
This entity first appeared as the object of triple T440234 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Strange Interlude Context triple: [Theatre Guild, notableWork, Strange Interlude]
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A.
La voix humaine
La voix humaine is a one-act monodrama opera by Francis Poulenc, based on Jean Cocteau’s play, depicting a woman’s emotional breakdown during a final phone call with her lover.
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B.
After the Dance
"After the Dance" is a 1939 stage play by British dramatist Terence Rattigan that explores the disillusionment and emotional fallout among the hedonistic "bright young things" of interwar London.
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C.
The Theatre of Dreams
The Theatre of Dreams is the famous moniker for Manchester United’s iconic Old Trafford stadium, renowned for its rich footballing history and passionate atmosphere.
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D.
The Awakening Conscience
The Awakening Conscience is an 1853 oil painting by William Holman Hunt that exemplifies Pre-Raphaelite moral realism, depicting a kept woman’s sudden moment of spiritual and moral realization.
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E.
The Grass Harp
The Grass Harp is a 1951 novella by Truman Capote that tells a lyrical, bittersweet coming-of-age story about misfits who retreat to a treehouse, blending Southern Gothic atmosphere with themes of individuality and belonging.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Strange Interlude Target entity description: Strange Interlude is a landmark experimental play by Eugene O’Neill, renowned for its use of interior monologues to explore the psychological lives and moral conflicts of its characters.
-
A.
La voix humaine
La voix humaine is a one-act monodrama opera by Francis Poulenc, based on Jean Cocteau’s play, depicting a woman’s emotional breakdown during a final phone call with her lover.
-
B.
After the Dance
"After the Dance" is a 1939 stage play by British dramatist Terence Rattigan that explores the disillusionment and emotional fallout among the hedonistic "bright young things" of interwar London.
-
C.
The Theatre of Dreams
The Theatre of Dreams is the famous moniker for Manchester United’s iconic Old Trafford stadium, renowned for its rich footballing history and passionate atmosphere.
-
D.
The Awakening Conscience
The Awakening Conscience is an 1853 oil painting by William Holman Hunt that exemplifies Pre-Raphaelite moral realism, depicting a kept woman’s sudden moment of spiritual and moral realization.
-
E.
The Grass Harp
The Grass Harp is a 1951 novella by Truman Capote that tells a lyrical, bittersweet coming-of-age story about misfits who retreat to a treehouse, blending Southern Gothic atmosphere with themes of individuality and belonging.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
experimental play
ⓘ
play ⓘ theatrical work ⓘ |
| author |
Eugene O'Neill
ⓘ
surface form:
Eugene O’Neill
|
| awarded | Pulitzer Prize for Drama ⓘ |
| awardYear | 1928 Pulitzer Prize for Drama ⓘ |
| broadwayRun |
had an unusually long running time in performance
ⓘ
premiered on Broadway in 1928 ⓘ |
| censorship | subject to cuts and alterations in some productions ⓘ |
| centralCharacter | Nina Leeds ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception |
considered a landmark in American drama
ⓘ
noted for its daring subject matter ⓘ |
| dramaticTechnique |
aside-like interior monologues
ⓘ
stream-of-consciousness elements ⓘ |
| filmAdaptationDirector | Robert Z. Leonard ⓘ |
| filmAdaptationStudio | Metro-Goldwyn-Mayer ⓘ |
| filmAdaptationYear | 1932 ⓘ |
| firstPerformanceYear | 1928 ⓘ |
| firstPublicationYear | 1928 ⓘ |
| genre |
drama
ⓘ
modernist drama ⓘ psychological drama ⓘ |
| hasAdaptation | film adaptation ⓘ |
| hasCharacter |
Charles Marsden
ⓘ
Dr. Ned Darrell ⓘ Nina Leeds ⓘ Sam Evans ⓘ |
| influenced |
later psychological drama
ⓘ
use of interior monologue in theatre ⓘ |
| movement | American modernist theatre ⓘ |
| notableFor |
experimental narrative techniques
ⓘ
exploration of moral conflicts ⓘ exploration of psychological lives of characters ⓘ use of interior monologue ⓘ |
| originalLanguage | English ⓘ |
| partOf | Eugene O’Neill’s major plays ⓘ |
| setting |
United States of America
ⓘ
surface form:
United States
|
| structure | nine-act play ⓘ |
| theme |
eugenics
ⓘ
fate and free will ⓘ infidelity ⓘ inner versus outer self ⓘ love ⓘ marriage ⓘ mental illness ⓘ motherhood ⓘ |
| timePeriod | early 20th century ⓘ |
| writer |
Eugene O'Neill
ⓘ
surface form:
Eugene O’Neill
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Strange Interlude Description of subject: Strange Interlude is a landmark experimental play by Eugene O’Neill, renowned for its use of interior monologues to explore the psychological lives and moral conflicts of its characters.
Referenced by (19)
Full triples — surface form annotated when it differs from this entity's canonical label.