Piano Concerto No. 2
E542387
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Concerto No. 2 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5642112 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Piano Concerto No. 2 Context triple: [Dmitri Shostakovich, notableWork, Piano Concerto No. 2]
-
A.
Piano Concerto No. 2 in C minor, Op. 18
Piano Concerto No. 2 in C minor, Op. 18 is one of Sergei Rachmaninoff’s most celebrated Romantic piano concertos, renowned for its sweeping melodies, rich harmonies, and virtuosic piano writing.
-
B.
Piano Concerto No. 2 in D minor, Op. 40
Piano Concerto No. 2 in D minor, Op. 40 is a Romantic-era concerto for piano and orchestra by Felix Mendelssohn, known for its virtuosic solo writing and lyrical, expressive character.
-
C.
Piano Concerto No. 2 in B-flat major, Op. 83
Piano Concerto No. 2 in B-flat major, Op. 83 is a grand, four-movement Romantic concerto for piano and orchestra by Johannes Brahms, renowned for its symphonic scale, technical demands, and lyrical depth.
-
D.
Piano Concerto, Op. 38
Piano Concerto, Op. 38 is a 1962 virtuosic concerto for piano and orchestra by American composer Samuel Barber, noted for its lyrical intensity and modern yet accessible harmonic language.
-
E.
Piano Concerto No. 20 in D minor
Piano Concerto No. 20 in D minor is one of Mozart’s most dramatic and frequently performed piano concertos, renowned for its dark, stormy character and expressive depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Piano Concerto No. 2 Target entity description: Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
-
A.
Piano Concerto No. 2 in C minor, Op. 18
Piano Concerto No. 2 in C minor, Op. 18 is one of Sergei Rachmaninoff’s most celebrated Romantic piano concertos, renowned for its sweeping melodies, rich harmonies, and virtuosic piano writing.
-
B.
Piano Concerto No. 2 in D minor, Op. 40
Piano Concerto No. 2 in D minor, Op. 40 is a Romantic-era concerto for piano and orchestra by Felix Mendelssohn, known for its virtuosic solo writing and lyrical, expressive character.
-
C.
Piano Concerto No. 2 in B-flat major, Op. 83
Piano Concerto No. 2 in B-flat major, Op. 83 is a grand, four-movement Romantic concerto for piano and orchestra by Johannes Brahms, renowned for its symphonic scale, technical demands, and lyrical depth.
-
D.
Piano Concerto, Op. 38
Piano Concerto, Op. 38 is a 1962 virtuosic concerto for piano and orchestra by American composer Samuel Barber, noted for its lyrical intensity and modern yet accessible harmonic language.
-
E.
Piano Concerto No. 20 in D minor
Piano Concerto No. 20 in D minor is one of Mozart’s most dramatic and frequently performed piano concertos, renowned for its dark, stormy character and expressive depth.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | piano concerto ⓘ |
| associatedComposerStyle | Shostakovich late style ⓘ |
| catalogNumber | Op. 102 ⓘ |
| composer |
Dmitri Shostakovich
NERFINISHED
ⓘ
Shostakovich NERFINISHED ⓘ |
| countryOfOrigin | Soviet Union ⓘ |
| dedicatedTo | Maxim Shostakovich NERFINISHED ⓘ |
| genre |
20th-century classical music
ⓘ
classical music ⓘ |
| hasNotableFeature |
accessible musical style
ⓘ
bright and optimistic character ⓘ clear classical forms ⓘ lyrical slow movement ⓘ playful outer movements ⓘ virtuosic piano writing ⓘ |
| hasReception |
considered less politically charged than some other Shostakovich works
ⓘ
frequently performed ⓘ popular with audiences ⓘ |
| hasTempoIndication |
Allegro (first movement)
ⓘ
Allegro (third movement) ⓘ Andante (second movement) ⓘ |
| intendedPerformer | Maxim Shostakovich NERFINISHED ⓘ |
| isPartOf |
Shostakovich’s concertante works
ⓘ
Shostakovich’s orchestral works ⓘ |
| key | F major ⓘ |
| language | none (instrumental) ⓘ |
| movement |
I. Allegro
ⓘ
II. Andante ⓘ III. Allegro ⓘ |
| numberOfMovements | 3 ⓘ |
| orchestration |
brass
ⓘ
percussion ⓘ string orchestra ⓘ woodwinds ⓘ |
| period | 20th century ⓘ |
| scoredFor | piano and orchestra ⓘ |
| soloInstrument | piano ⓘ |
| style |
neoclassical elements
ⓘ
tonal ⓘ |
| tonality | largely diatonic ⓘ |
| typicalPerformanceDuration | approximately 20 minutes ⓘ |
| usesForm |
rondo-like form in third movement
ⓘ
sonata form in first movement ⓘ ternary form in second movement ⓘ |
| workNumberInComposerOutput | second piano concerto by Shostakovich NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Piano Concerto No. 2 Description of subject: Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.