Salon of 1827
E519180
The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Salon of 1827 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T5381493 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Salon of 1827 Context triple: [The Apotheosis of Homer, exhibitionHistory, Salon of 1827]
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A.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
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B.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
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C.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
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D.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
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E.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Salon of 1827 Target entity description: The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.
-
A.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
-
B.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
-
C.
Salon of 1808
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
-
D.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
-
E.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Paris Salon
ⓘ
art exhibition ⓘ |
| audience |
European art collectors
ⓘ
French art critics ⓘ Parisian public ⓘ |
| country | France ⓘ |
| exhibitedWork |
Greece on the Ruins of Missolonghi
NERFINISHED
ⓘ
The Apotheosis of Homer NERFINISHED ⓘ The Battle of Navarino NERFINISHED ⓘ The Death of Sardanapalus NERFINISHED ⓘ The Massacre at Chios (re-exhibited) NERFINISHED ⓘ genre scenes ⓘ historical paintings ⓘ landscapes ⓘ mythological paintings ⓘ portraits ⓘ religious paintings ⓘ |
| field |
painting
ⓘ
sculpture ⓘ |
| followedBy | Salon of 1831 NERFINISHED ⓘ |
| genre | art exhibition ⓘ |
| hasParticipant |
Antoine-Jean Gros
NERFINISHED
ⓘ
Ary Scheffer NERFINISHED ⓘ Eugène Delacroix NERFINISHED ⓘ Horace Vernet NERFINISHED ⓘ Jean-Auguste-Dominique Ingres NERFINISHED ⓘ Paul Delaroche NERFINISHED ⓘ Théodore Gudin NERFINISHED ⓘ |
| influenced |
critical debates in French art criticism
ⓘ
development of French Romantic painting ⓘ public perception of Romanticism in France ⓘ |
| language | French ⓘ |
| location |
Louvre
NERFINISHED
ⓘ
Paris ⓘ |
| movement |
Neoclassicism
ⓘ
Romanticism NERFINISHED ⓘ |
| organizer |
Académie des Beaux-Arts
NERFINISHED
ⓘ
French Academy NERFINISHED ⓘ |
| partOf | Paris Salon exhibitions NERFINISHED ⓘ |
| pointInTime | 1827 ⓘ |
| precededBy | Salon of 1824 NERFINISHED ⓘ |
| significance |
key stage for artistic debate between Neoclassicism and Romanticism in France
ⓘ
major Parisian art exhibition of the early 19th century ⓘ |
| timePeriod | 19th century ⓘ |
| topic |
conflict between academic classicism and Romantic innovation
ⓘ
national identity in post-Napoleonic France ⓘ role of history painting in French art ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Salon of 1827 Description of subject: The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.