Specific Objects

E517942

"Specific Objects" is a seminal 1965 essay by Donald Judd that articulates the theoretical foundations of Minimalist art by arguing for a new kind of three-dimensional work distinct from traditional painting and sculpture.

All labels observed (1)

Label Occurrences
Specific Objects canonical 4

How this entity was disambiguated

Statements (50)

Predicate Object
instanceOf art theory text
essay
arguesAgainst traditional painting
traditional sculpture
associatedMovement Minimalism
postminimalism
author Donald Judd
countryOfOrigin United States
criticizes illusionism in painting
pictorial depth
describes new kind of three-dimensional work
describesAs neither painting nor sculpture
emphasizes relationship between object and space
viewer’s physical experience of the work
hasInfluencedField aesthetics
art history
museum and exhibition practice
hasKeyConcept industrial materials in art
literal space
non-relational composition
specific objects
three-dimensionality
unitary forms
hasNotableFigureDiscussed Claes Oldenburg
Dan Flavin
Frank Stella
George Earl Ortman
H.C. Westermann
Jasper Johns
Jean Tinguely
John Chamberlain
Larry Bell
Lee Bontecou
Robert Morris
Tony Smith
Yayoi Kusama
Yves Klein
influenced Minimalism
conceptualizations of sculpture
postwar American art criticism
language English
mainTopic Minimalist art
linked to: Minimalism

art criticism
modern art theory
three-dimensional art
publicationYear 1965
publishedIn Arts Yearbook 8
supports emphasis on objecthood
rejection of traditional composition
use of industrial fabrication in art

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Minimalism hasKeyText Specific Objects
Donald Judd notableWork Specific Objects
Donald Judd authorOf Specific Objects
Donald Judd notableText Specific Objects
subject linked to: Donald