Enemy at the Gates (film score)
E507840
Enemy at the Gates (film score) is the orchestral soundtrack composed by James Horner for the 2001 World War II film "Enemy at the Gates," noted for its tense, atmospheric themes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Enemy at the Gates (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5293386 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Enemy at the Gates (film score) Context triple: [A Beautiful Mind (film score), precededByWork, Enemy at the Gates (film score)]
-
A.
Enemy of the State (film score)
Enemy of the State (film score) is a suspenseful, electronics-infused orchestral soundtrack composed by Harry Gregson-Williams for the 1998 techno-thriller film "Enemy of the State."
-
B.
The Grandmaster (film score)
The Grandmaster (film score) is a lush, atmospheric soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s martial arts drama about the life of Ip Man.
-
C.
Gladiator (film score)
Gladiator (film score) is the acclaimed, atmospheric soundtrack to the 2000 historical epic film, blending orchestral music with ethereal vocals and world music elements.
-
D.
Face/Off (film score)
Face/Off (film score) is the original orchestral soundtrack composed by John Powell for the 1997 action thriller film "Face/Off," blending intense action motifs with emotional themes.
-
E.
Anastasia (1997 film score)
Anastasia (1997 film score) is the orchestral and song-filled soundtrack composed by David Newman for the animated film "Anastasia," blending sweeping themes with memorable musical numbers.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Enemy at the Gates (film score) Target entity description: Enemy at the Gates (film score) is the orchestral soundtrack composed by James Horner for the 2001 World War II film "Enemy at the Gates," noted for its tense, atmospheric themes.
-
A.
Enemy of the State (film score)
Enemy of the State (film score) is a suspenseful, electronics-infused orchestral soundtrack composed by Harry Gregson-Williams for the 1998 techno-thriller film "Enemy of the State."
-
B.
The Grandmaster (film score)
The Grandmaster (film score) is a lush, atmospheric soundtrack composed by Shigeru Umebayashi for Wong Kar-wai’s martial arts drama about the life of Ip Man.
-
C.
Gladiator (film score)
Gladiator (film score) is the acclaimed, atmospheric soundtrack to the 2000 historical epic film, blending orchestral music with ethereal vocals and world music elements.
-
D.
Face/Off (film score)
Face/Off (film score) is the original orchestral soundtrack composed by John Powell for the 1997 action thriller film "Face/Off," blending intense action motifs with emotional themes.
-
E.
Anastasia (1997 film score)
Anastasia (1997 film score) is the orchestral and song-filled soundtrack composed by David Newman for the animated film "Anastasia," blending sweeping themes with memorable musical numbers.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithDirector |
Jean‑Jacques Annaud
ⓘ
linked to:
Jean-Jacques Annaud
|
| basedOnEvent |
Battle of Stalingrad
ⓘ
World War II ⓘ |
| chronologicallyFollows | The Perfect Storm (film score) ⓘ |
| chronologicallyPrecedes | A Beautiful Mind (film score) ⓘ |
| composer | James Horner ⓘ |
| composerStyle | James Horner’s late‑1990s/early‑2000s dramatic style ⓘ |
| countryOfOrigin |
United States
ⓘ
linked to:
United States of America
|
| forWork |
Enemy at the Gates (film)
ⓘ
linked to:
film "Enemy at the Gates" (2001)
|
| genre |
film music
ⓘ
orchestral music ⓘ |
| hasInstrumentation |
brass
ⓘ
chorus ⓘ percussion ⓘ solo vocals ⓘ strings ⓘ symphony orchestra ⓘ woodwinds ⓘ |
| hasTheme |
love theme for Vassili and Tania
ⓘ
motif for Major König ⓘ motif for Vassili Zaitsev ⓘ motif for the ruined city of Stalingrad ⓘ |
| hasType | original motion picture score ⓘ |
| language | instrumental ⓘ |
| medium |
CD
ⓘ
digital audio ⓘ |
| narrativeRole |
emphasizes tragic and romantic elements of the story
ⓘ
supports depiction of war‑torn Stalingrad ⓘ underscores psychological tension between snipers ⓘ |
| notableCharacteristic |
dark orchestration
ⓘ
melancholic themes ⓘ tense atmosphere ⓘ use of ethnic vocal colors ⓘ |
| partOf |
Enemy at the Gates (franchise)
ⓘ
linked to:
film "Enemy at the Gates" (2001)
|
| partOfComposerOeuvre |
James Horner filmography
ⓘ
linked to:
James Horner
|
| productionContext | Hollywood war film scoring of early 21st century ⓘ |
| publicationYear | 2001 ⓘ |
| releasePeriod | early 2000s ⓘ |
| styleComparedTo |
Braveheart (film score)
ⓘ
Legends of the Fall (film score) ⓘ Titanic (film score) ⓘ
linked to:
Titanic: Music from the Motion Picture
|
| usedIn |
Enemy at the Gates (film) battle sequences
ⓘ
Enemy at the Gates (film) romantic subplot scenes ⓘ Enemy at the Gates (film) sniper duel scenes ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Enemy at the Gates (film score) Description of subject: Enemy at the Gates (film score) is the orchestral soundtrack composed by James Horner for the 2001 World War II film "Enemy at the Gates," noted for its tense, atmospheric themes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.