Lux Lisbon in The Virgin Suicides

Target entity: Lux Lisbon in The Virgin Suicides
Context triple: [Kirsten Dunst, role, Lux Lisbon in The Virgin Suicides]

• A. The Virgin Suicides
  The Virgin Suicides is a 1999 atmospheric drama film directed by Sofia Coppola, adapted from Jeffrey Eugenides’ novel about the mysterious lives and deaths of five sheltered sisters in 1970s suburban America.
• B. Regatta Point
  Regatta Point is a prominent waterfront area and lookout in Canberra, Australia, offering scenic views over Lake Burley Griffin and housing the National Capital Exhibition.
• C. We Were the Mulvaneys
  We Were the Mulvaneys is a contemporary American novel by Joyce Carol Oates that traces the disintegration of a seemingly perfect family after a traumatic event in small-town upstate New York.
• D. The Sweet Hereafter
  The Sweet Hereafter is a 1997 Canadian drama film directed by Atom Egoyan, adapted from Russell Banks's novel, that explores a small community's grief and moral turmoil after a tragic school bus accident.
• E. The Hours
  The Hours is a 2002 drama film, based on Michael Cunningham’s Pulitzer Prize–winning novel, that interweaves the lives of three women in different eras connected by Virginia Woolf’s Mrs Dalloway.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Lux Lisbon in The Virgin Suicides
Target entity description: Lux Lisbon in The Virgin Suicides is a rebellious, sexually curious teenage girl whose tragic coming-of-age and emotional turmoil embody the film’s haunting exploration of adolescent isolation and suburban repression.

• A. The Virgin Suicides
  The Virgin Suicides is a 1999 atmospheric drama film directed by Sofia Coppola, adapted from Jeffrey Eugenides’ novel about the mysterious lives and deaths of five sheltered sisters in 1970s suburban America.
• B. Regatta Point
  Regatta Point is a prominent waterfront area and lookout in Canberra, Australia, offering scenic views over Lake Burley Griffin and housing the National Capital Exhibition.
• C. We Were the Mulvaneys
  We Were the Mulvaneys is a contemporary American novel by Joyce Carol Oates that traces the disintegration of a seemingly perfect family after a traumatic event in small-town upstate New York.
• D. The Sweet Hereafter
  The Sweet Hereafter is a 1997 Canadian drama film directed by Atom Egoyan, adapted from Russell Banks's novel, that explores a small community's grief and moral turmoil after a tragic school bus accident.
• E. The Hours
  The Hours is a 2002 drama film, based on Michael Cunningham’s Pulitzer Prize–winning novel, that interweaves the lives of three women in different eras connected by Virginia Woolf’s Mrs Dalloway.
• F. None of above. chosen