The Killing (1956 film)
E489110
The Killing (1956 film) is a 1956 American film noir crime thriller directed by Stanley Kubrick that follows a meticulously planned racetrack heist and its unraveling.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Killing (1956 film) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5043739 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Killing (1956 film) Context triple: [Johnny Clay, appearsIn, The Killing (1956 film)]
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A.
The Killers (1946 film)
The Killers (1946 film) is a classic American film noir, based on an Ernest Hemingway short story, renowned for its dark, fatalistic crime narrative and for launching Burt Lancaster’s film career.
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B.
Killer Kane
Killer Kane is a notorious villain from the Buck Rogers science fiction series, often portrayed as a ruthless dictator and primary antagonist.
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C.
Anatomy of a Murder
Anatomy of a Murder is a 1959 American courtroom drama film directed by Otto Preminger, renowned for its realistic legal proceedings and exploration of moral ambiguity.
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D.
Dial M for Murder
Dial M for Murder is a 1954 suspense thriller film, adapted from a stage play, that exemplifies Alfred Hitchcock’s mastery of tightly constructed, dialogue-driven crime stories centered on a meticulously planned murder plot gone wrong.
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E.
Touch of Evil
Touch of Evil is a 1958 film noir thriller directed by and co-starring Orson Welles, renowned for its dark, expressionistic style and legendary long opening tracking shot.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Killing (1956 film) Target entity description: The Killing (1956 film) is a 1956 American film noir crime thriller directed by Stanley Kubrick that follows a meticulously planned racetrack heist and its unraveling.
-
A.
The Killers (1946 film)
The Killers (1946 film) is a classic American film noir, based on an Ernest Hemingway short story, renowned for its dark, fatalistic crime narrative and for launching Burt Lancaster’s film career.
-
B.
Killer Kane
Killer Kane is a notorious villain from the Buck Rogers science fiction series, often portrayed as a ruthless dictator and primary antagonist.
-
C.
Anatomy of a Murder
Anatomy of a Murder is a 1959 American courtroom drama film directed by Otto Preminger, renowned for its realistic legal proceedings and exploration of moral ambiguity.
-
D.
Dial M for Murder
Dial M for Murder is a 1954 suspense thriller film, adapted from a stage play, that exemplifies Alfred Hitchcock’s mastery of tightly constructed, dialogue-driven crime stories centered on a meticulously planned murder plot gone wrong.
-
E.
Touch of Evil
Touch of Evil is a 1958 film noir thriller directed by and co-starring Orson Welles, renowned for its dark, expressionistic style and legendary long opening tracking shot.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
American film
ⓘ
crime thriller film ⓘ film ⓘ film noir ⓘ heist film ⓘ |
| basedOn |
Clean Break
NERFINISHED
ⓘ
novel by Lionel White ⓘ |
| blackAndWhite | true ⓘ |
| castMember |
Coleen Gray
NERFINISHED
ⓘ
Elisha Cook Jr. NERFINISHED ⓘ Jay C. Flippen NERFINISHED ⓘ Joe Sawyer NERFINISHED ⓘ Kola Kwariani NERFINISHED ⓘ Marie Windsor NERFINISHED ⓘ Sterling Hayden NERFINISHED ⓘ Ted de Corsia NERFINISHED ⓘ Timothy Carey NERFINISHED ⓘ Vince Edwards NERFINISHED ⓘ |
| cinematographer | Lucien Ballard NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| director | Stanley Kubrick NERFINISHED ⓘ |
| distributor | United Artists NERFINISHED ⓘ |
| editor | Betty Steinberg NERFINISHED ⓘ |
| follows | meticulously planned racetrack robbery ⓘ |
| genre |
crime film
ⓘ
film noir ⓘ heist film ⓘ thriller film ⓘ |
| hasInfluenced | later heist films ⓘ |
| mainCharacter | Johnny Clay NERFINISHED ⓘ |
| motionPictureRatingSystem | unrated at original release ⓘ |
| musicBy | Gerald Fried NERFINISHED ⓘ |
| narrationBy | Art Gilmore NERFINISHED ⓘ |
| narrativeStructure | nonlinear timeline ⓘ |
| notableFor | early major directorial work of Stanley Kubrick ⓘ |
| originalLanguage | English ⓘ |
| partOf | Stanley Kubrick filmography ⓘ |
| plotSummary | A group of criminals plan and execute a racetrack heist that ultimately unravels. ⓘ |
| portrayedBy | Sterling Hayden NERFINISHED ⓘ |
| producer | James B. Harris NERFINISHED ⓘ |
| publicationDate | 1956 ⓘ |
| releaseFormat | theatrical film ⓘ |
| runtime | approximately 85 minutes ⓘ |
| screenwriter |
Jim Thompson
NERFINISHED
ⓘ
Stanley Kubrick NERFINISHED ⓘ |
| setting | horse racetrack ⓘ |
| studio | Harris-Kubrick Pictures NERFINISHED ⓘ |
| theme |
betrayal
ⓘ
fate and inevitability ⓘ greed ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Killing (1956 film) Description of subject: The Killing (1956 film) is a 1956 American film noir crime thriller directed by Stanley Kubrick that follows a meticulously planned racetrack heist and its unraveling.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.