The End

E465500

"The End" is a dark, psychedelic rock epic by The Doors, renowned for its haunting lyrics, extended improvisation, and central place in 1960s counterculture.

All labels observed (1)

Label Occurrences
The End canonical 16

How this entity was disambiguated

Statements (49)

Predicate Object
instanceOf musical work
song
album The Doors
artist The Doors
composer Jim Morrison
John Densmore
Ray Manzarek
Robby Krieger
countryOfOrigin United States
directorOfWorkWhereUsed Francis Ford Coppola
genre acid rock
art rock
hard rock
psychedelic rock
hasCulturalImpact iconic status in rock music history
hasLiveVersion Absolutely Live
Live at the Hollywood Bowl
hasLyricalTheme Oedipal complex
apocalypse
death
existential crisis
separation
hasMusicalFeature drone-like guitar
dynamic crescendos
extended improvisation
modal harmony
prominent organ
spoken-word passages
hasPart Oedipal section
influenced later psychedelic rock artists
post-punk musicians
language English
length approximately 11:41
lyricist Jim Morrison
movement 1960s counterculture
notableFor dark atmosphere
extended live performances
haunting lyrics
psychedelic soundscape
openingTrackOfFilm Apocalypse Now
partOf The Doors (album)
performer The Doors
producer Paul A. Rothchild
recordedAt Sunset Sound Recorders
recordedBy The Doors
recordedIn 1966
recordLabel Elektra Records
releaseDate 1967
usedIn Apocalypse Now

How these facts were elicited

Referenced by (16)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Doors notableSong The End
Abbey Road hasPart The End
Backspacer hasTrack The End
Ficciones hasPart The End
Jim Morrison notableWork The End
Come Around Sundown hasTrack The End
The End Part 1 partOf The End
Carry That Weight followedBy The End
Jacksonville City Nights hasPart The End
Nancy in London hasTrack The End
Come Around Sundown track The End
Serpentine Prison hasPart The End