Les Règles de l’art
E453931
Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Les Règles de l’art canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4574886 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Les Règles de l’art Context triple: [The Rules of Art, originalTitle, Les Règles de l’art]
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A.
Les Demoiselles du village
Les Demoiselles du village is a mid-19th-century painting by Gustave Courbet depicting three well-dressed young women encountering a peasant girl in a rural landscape, emblematic of Realist social commentary.
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B.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
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C.
Les Raboteurs de parquet
Les Raboteurs de parquet is a realist 1875 painting by French artist Gustave Caillebotte depicting three workers scraping a wooden floor in a Parisian apartment.
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D.
Les Sœurs Vatard
Les Sœurs Vatard is a naturalist novel by Joris-Karl Huysmans that portrays the lives and struggles of two working-class sisters in late 19th-century Paris.
-
E.
La Chinoise
La Chinoise is a 1967 French New Wave film by Jean-Luc Godard that satirically explores youthful Maoist radicalism in Paris on the eve of the 1968 student protests.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Les Règles de l’art Target entity description: Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
-
A.
Les Demoiselles du village
Les Demoiselles du village is a mid-19th-century painting by Gustave Courbet depicting three well-dressed young women encountering a peasant girl in a rural landscape, emblematic of Realist social commentary.
-
B.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
-
C.
Les Raboteurs de parquet
Les Raboteurs de parquet is a realist 1875 painting by French artist Gustave Caillebotte depicting three workers scraping a wooden floor in a Parisian apartment.
-
D.
Les Sœurs Vatard
Les Sœurs Vatard is a naturalist novel by Joris-Karl Huysmans that portrays the lives and struggles of two working-class sisters in late 19th-century Paris.
-
E.
La Chinoise
La Chinoise is a 1967 French New Wave film by Jean-Luc Godard that satirically explores youthful Maoist radicalism in Paris on the eve of the 1968 student protests.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
sociological study ⓘ |
| appliesTheoryOf |
cultural capital
ⓘ
field ⓘ habitus ⓘ symbolic capital ⓘ |
| author | Pierre Bourdieu NERFINISHED ⓘ |
| centralConcept |
autonomy of the artistic field
ⓘ
field of cultural production ⓘ illusio ⓘ symbolic power ⓘ |
| countryOfOrigin | France ⓘ |
| discipline |
literary theory
ⓘ
sociology ⓘ |
| examines |
autonomization of the literary field
ⓘ
institutionalization of the writer ⓘ market for symbolic goods ⓘ position-takings of writers ⓘ relations between art and economy ⓘ relations between art and politics ⓘ structure of the literary field ⓘ |
| focusesOn |
emergence of the autonomous artistic field
ⓘ
social conditions of literary production ⓘ |
| genre |
literary sociology
ⓘ
sociology of culture ⓘ |
| hasEnglishTitle | The Rules of Art NERFINISHED ⓘ |
| influenced |
art history
ⓘ
cultural sociology ⓘ literary studies ⓘ |
| mainSubject |
19th-century French literature
ⓘ
autonomous artistic field ⓘ cultural production ⓘ field theory ⓘ literary production ⓘ |
| notableCaseStudy |
Gustave Flaubert
NERFINISHED
ⓘ
Madame Bovary NERFINISHED ⓘ |
| originalLanguage | French ⓘ |
| pageCount | ~500 ⓘ |
| partOf | Pierre Bourdieu’s works on cultural production ⓘ |
| publicationYear | 1992 ⓘ |
| publisher | Éditions du Seuil NERFINISHED ⓘ |
| relatedWork |
La Distinction
NERFINISHED
ⓘ
Les Règles de l’art: Genèse et structure du champ littéraire NERFINISHED ⓘ |
| setInPeriod | 19th century ⓘ |
| setInPlace | France NERFINISHED ⓘ |
| theoreticalFramework |
constructivism
ⓘ
sociology of fields ⓘ structuralism ⓘ |
| translatedInto | English ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Les Règles de l’art Description of subject: Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.