Three Studies for Figures at the Base of a Crucifixion
E443897
Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painting by Francis Bacon that depicts three distorted, screaming figures and is considered a landmark of postwar British art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Three Studies for Figures at the Base of a Crucifixion canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4482484 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Three Studies for Figures at the Base of a Crucifixion Context triple: [Francis Bacon, notableWork, Three Studies for Figures at the Base of a Crucifixion]
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A.
White Crucifixion
White Crucifixion is a 1938 painting by Marc Chagall that portrays the crucified Jesus surrounded by scenes of Jewish persecution, often interpreted as a powerful response to rising antisemitism in Europe.
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B.
Portrait of an Artist (Pool with Two Figures)
"Portrait of an Artist (Pool with Two Figures)" is a 1972 painting by David Hockney that juxtaposes a fully clothed figure with a swimmer in a bright blue pool, and is one of his most iconic and valuable works.
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C.
Les Demoiselles d'Avignon
Les Demoiselles d'Avignon is a groundbreaking 1907 painting by Pablo Picasso that helped launch Cubism and radically transformed the course of modern art.
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D.
The Weeping Woman
The Weeping Woman is a famous 1937 painting by Pablo Picasso that powerfully depicts a grief-stricken female figure in his Cubist style, often interpreted as a symbol of the suffering caused by war.
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E.
The Son of Man
The Son of Man is a famous 1964 painting by Belgian surrealist René Magritte depicting a bowler-hatted man whose face is obscured by a hovering green apple, often interpreted as a commentary on identity and hidden reality.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Three Studies for Figures at the Base of a Crucifixion Target entity description: Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painting by Francis Bacon that depicts three distorted, screaming figures and is considered a landmark of postwar British art.
-
A.
White Crucifixion
White Crucifixion is a 1938 painting by Marc Chagall that portrays the crucified Jesus surrounded by scenes of Jewish persecution, often interpreted as a powerful response to rising antisemitism in Europe.
-
B.
Portrait of an Artist (Pool with Two Figures)
"Portrait of an Artist (Pool with Two Figures)" is a 1972 painting by David Hockney that juxtaposes a fully clothed figure with a swimmer in a bright blue pool, and is one of his most iconic and valuable works.
-
C.
Les Demoiselles d'Avignon
Les Demoiselles d'Avignon is a groundbreaking 1907 painting by Pablo Picasso that helped launch Cubism and radically transformed the course of modern art.
-
D.
The Weeping Woman
The Weeping Woman is a famous 1937 painting by Pablo Picasso that powerfully depicts a grief-stricken female figure in his Cubist style, often interpreted as a symbol of the suffering caused by war.
-
E.
The Son of Man
The Son of Man is a famous 1964 painting by Belgian surrealist René Magritte depicting a bowler-hatted man whose face is obscured by a hovering green apple, often interpreted as a commentary on identity and hidden reality.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
painting
ⓘ
triptych ⓘ |
| artHistoricalSignificance |
breakthrough work for Francis Bacon
ⓘ
landmark of postwar British art ⓘ |
| backgroundColor | orange ⓘ |
| collection | Tate NERFINISHED ⓘ |
| completionYear | 1944 ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| creator | Francis Bacon NERFINISHED ⓘ |
| creatorNationality | Irish-born British ⓘ |
| depictionType | figurative ⓘ |
| depicts |
biomorphic forms
ⓘ
distorted figures ⓘ hybrid creatures ⓘ screaming figures ⓘ three figures ⓘ |
| genre | postwar art ⓘ |
| hasInfluenced |
contemporary British painting
ⓘ
postwar figurative art ⓘ |
| hasPart |
central panel
ⓘ
left panel ⓘ right panel ⓘ |
| inception | 1944 ⓘ |
| inspiredBy |
Aeschylus
NERFINISHED
ⓘ
Eumenides NERFINISHED ⓘ Oresteia NERFINISHED ⓘ |
| languageOfWork | English ⓘ |
| location | Tate Britain NERFINISHED ⓘ |
| materialUsed |
board
ⓘ
oil paint ⓘ |
| movement |
Expressionism
ⓘ
Surrealism ⓘ postwar British art ⓘ |
| notableFor |
disturbing imagery
ⓘ
innovative triptych format in modern art ⓘ intense emotional impact ⓘ |
| numberOfPanels | 3 ⓘ |
| style |
distorted anatomy
ⓘ
expressionistic brushwork ⓘ limited color palette ⓘ |
| subjectMatter |
anguish
ⓘ
figures at the base of a crucifixion ⓘ religious imagery ⓘ suffering ⓘ violence ⓘ |
| timePeriod | World War II era ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Three Studies for Figures at the Base of a Crucifixion Description of subject: Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painting by Francis Bacon that depicts three distorted, screaming figures and is considered a landmark of postwar British art.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.