Three Studies for Figures at the Base of a Crucifixion

E443897

Three Studies for Figures at the Base of a Crucifixion is a 1944 triptych painting by Francis Bacon that depicts three distorted, screaming figures and is considered a landmark of postwar British art.

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Statements (46)

Predicate Object
instanceOf painting
triptych
artHistoricalSignificance breakthrough work for Francis Bacon
landmark of postwar British art
backgroundColor orange
collection Tate
completionYear 1944
countryOfOrigin United Kingdom
creator Francis Bacon
creatorNationality Irish-born British
depictionType figurative
depicts biomorphic forms
distorted figures
hybrid creatures
screaming figures
three figures
genre postwar art
hasInfluenced contemporary British painting
postwar figurative art
hasPart central panel
left panel
right panel
inception 1944
inspiredBy Aeschylus
Eumenides
linked to: The Eumenides

Oresteia
languageOfWork English
location Tate Britain
materialUsed board
oil paint
movement Expressionism
Surrealism
postwar British art
notableFor disturbing imagery
innovative triptych format in modern art
intense emotional impact
numberOfPanels 3
style distorted anatomy
expressionistic brushwork
limited color palette
subjectMatter anguish
figures at the base of a crucifixion
religious imagery
suffering
violence
timePeriod World War II era

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Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Francis Bacon notableWork Three Studies for Figures at the Base of a Crucifixion
Bacon’s screaming figures notableWorkExample Three Studies for Figures at the Base of a Crucifixion