The Deposition from the Cross (Pontormo)
E432254
The Deposition from the Cross is a celebrated altarpiece by Jacopo Pontormo that exemplifies Mannerist painting through its elongated figures, unusual spatial composition, and intense emotional expressiveness.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Deposition from the Cross (Pontormo) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4321539 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Deposition from the Cross (Pontormo) Context triple: [Mannerism, hasNotableWork, The Deposition from the Cross (Pontormo)]
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A.
Deposition from the Cross by Benedetto Antelami
Deposition from the Cross by Benedetto Antelami is a renowned late 12th-century Romanesque marble relief depicting Christ’s descent from the cross, celebrated for its expressive figures and innovative spatial composition.
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B.
The Descent from the Cross (Rogier van der Weyden)
The Descent from the Cross (Rogier van der Weyden) is a renowned 15th-century Netherlandish altarpiece depicting Christ’s body being lowered from the cross, celebrated for its emotional intensity, intricate composition, and meticulous detail.
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C.
The Descent from the Cross
The Descent from the Cross is a renowned Baroque altarpiece painting by Peter Paul Rubens depicting the dramatic lowering of Christ’s body from the cross.
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D.
The Descent from the Cross
The Descent from the Cross is a Baroque religious painting by French artist Eustache Le Sueur depicting the removal of Christ’s body from the cross.
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E.
The Descent from the Cross
The Descent from the Cross is a powerful early 20th-century religious painting by German Expressionist artist Max Beckmann, marked by its intense emotional drama and distorted, modernist style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Deposition from the Cross (Pontormo) Target entity description: The Deposition from the Cross is a celebrated altarpiece by Jacopo Pontormo that exemplifies Mannerist painting through its elongated figures, unusual spatial composition, and intense emotional expressiveness.
-
A.
Deposition from the Cross by Benedetto Antelami
Deposition from the Cross by Benedetto Antelami is a renowned late 12th-century Romanesque marble relief depicting Christ’s descent from the cross, celebrated for its expressive figures and innovative spatial composition.
-
B.
The Descent from the Cross (Rogier van der Weyden)
The Descent from the Cross (Rogier van der Weyden) is a renowned 15th-century Netherlandish altarpiece depicting Christ’s body being lowered from the cross, celebrated for its emotional intensity, intricate composition, and meticulous detail.
-
C.
The Descent from the Cross
The Descent from the Cross is a renowned Baroque altarpiece painting by Peter Paul Rubens depicting the dramatic lowering of Christ’s body from the cross.
-
D.
The Descent from the Cross
The Descent from the Cross is a Baroque religious painting by French artist Eustache Le Sueur depicting the removal of Christ’s body from the cross.
-
E.
The Descent from the Cross
The Descent from the Cross is a powerful early 20th-century religious painting by German Expressionist artist Max Beckmann, marked by its intense emotional drama and distorted, modernist style.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Mannerist painting
ⓘ
altarpiece ⓘ painting ⓘ |
| appliedOn | panel ⓘ |
| artHistoricalPeriod |
Italian High Renaissance
NERFINISHED
ⓘ
Italian Mannerism NERFINISHED ⓘ |
| artworkSurface | wood panel ⓘ |
| commissionedBy | Ludovico di Gino Capponi NERFINISHED ⓘ |
| completionDate | 1528 ⓘ |
| countryOfOrigin | Italy ⓘ |
| creator | Jacopo Pontormo NERFINISHED ⓘ |
| depicts |
Christ
NERFINISHED
ⓘ
Deposition of Christ NERFINISHED ⓘ Mary Magdalene NERFINISHED ⓘ Saint John the Evangelist NERFINISHED ⓘ Virgin Mary ⓘ |
| endTime | 1528 ⓘ |
| genre | religious painting ⓘ |
| hasCharacteristic |
complex figure groupings
ⓘ
compressed space ⓘ crowded composition ⓘ elongated figures ⓘ expressive gestures ⓘ floating figures ⓘ intense emotional expressiveness ⓘ lack of clear spatial depth ⓘ pastel-like colors ⓘ unusual spatial composition ⓘ vibrant color palette ⓘ |
| hasStyle | Mannerism NERFINISHED ⓘ |
| height | 313 cm ⓘ |
| inception | 1525 ⓘ |
| influenced | later Mannerist painters ⓘ |
| languageOfWork | visual art ⓘ |
| locatedIn |
Florence
ⓘ
Italy ⓘ Santa Felicita NERFINISHED ⓘ Tuscany ⓘ |
| materialUsed | oil paint ⓘ |
| movement | Mannerism NERFINISHED ⓘ |
| notableWorkOf | Jacopo Pontormo NERFINISHED ⓘ |
| originalLocation | Capponi Chapel NERFINISHED ⓘ |
| partOf | decoration of the Capponi Chapel ⓘ |
| significantPlace | Florence NERFINISHED ⓘ |
| startTime | 1525 ⓘ |
| subjectHeading | Passion of Christ NERFINISHED ⓘ |
| width | 192 cm ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Deposition from the Cross (Pontormo) Description of subject: The Deposition from the Cross is a celebrated altarpiece by Jacopo Pontormo that exemplifies Mannerist painting through its elongated figures, unusual spatial composition, and intense emotional expressiveness.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.