Polyptych of the Misericordia

E426891

The Polyptych of the Misericordia is a 15th-century multi-panel altarpiece by Piero della Francesca, renowned for its serene Madonna della Misericordia and early use of Renaissance spatial clarity and monumental form.

All labels observed (1)

Label Occurrences
Polyptych of the Misericordia canonical 1

How this entity was disambiguated

Statements (47)

Predicate Object
instanceOf Christian religious painting
altarpiece
polyptych
artHistoricalRegion Tuscan painting
artworkSeries works by Piero della Francesca in Sansepolcro
cataloguedIn Museo Civico di Sansepolcro collection catalogue
centralPanelDepicts Madonna della Misericordia sheltering devotees under her mantle
commissionedBy Confraternity of the Misericordia in Sansepolcro
completionDate circa 1462
countryOfOrigin Italy
creator Piero della Francesca
currentLocation Museo Civico di Sansepolcro
depictionType Madonna of Mercy
linked to: Mother of Mercy
depicts Christ
linked to: Jesus Christ

Madonna della Misericordia
Virgin Mary
kneeling donors
saints
depictsSaint Saint Benedict
Saint Francis of Assisi
Saint John the Baptist
linked to: John the Baptist

Saint Sebastian
genre sacra conversazione
hasColorPalette muted, harmonious tones
hasPart central Madonna della Misericordia panel
predella panels
side panels with standing saints
upper register with Christ and angels
iconographicType Virgin of Mercy
linked to: Mother of Mercy
inception 1445
1450s
influencedBy Florentine Early Renaissance art
linked to: Florentine school

mathematical perspective theories
languageOfInscription Latin
materialUsed wooden panel
movement Early Renaissance
notableFeature calm, balanced composition
early use of Renaissance spatial clarity
geometric construction of figures
serene monumental figure of the Madonna
originalLocation Sansepolcro
originallyCommissionedFor Confraternity of the Misericordia in Sansepolcro
period Quattrocento
religion Roman Catholicism
significance key work in the development of Renaissance perspective and monumentality
one of Piero della Francesca’s earliest documented works
style tempera on panel

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Piero della Francesca notableWork Polyptych of the Misericordia