The Bourne Identity (film score)
E367447
The Bourne Identity (film score) is an intense, rhythm-driven orchestral and electronic soundtrack by composer John Powell that helped redefine the sound of modern spy and action films.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Bourne Identity (film score) canonical | 3 |
How this entity was disambiguated
This entity first appeared as the object of triple T3545607 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Bourne Identity (film score) Context triple: [John Powell, notableWork, The Bourne Identity (film score)]
-
A.
Inside Man (film score)
Inside Man (film score) is a jazz-inflected, suspenseful film soundtrack composed by Terence Blanchard for Spike Lee’s 2006 heist thriller "Inside Man."
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B.
The Expendables (film score)
The Expendables (film score) is an action-packed orchestral soundtrack composed by Brian Tyler for the 2010 ensemble mercenary film "The Expendables."
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C.
The Bone Collector (film score)
The Bone Collector (film score) is a dark, suspenseful film soundtrack composed by Craig Armstrong for the 1999 crime thriller of the same name.
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D.
The Man from U.N.C.L.E. (2015 film score)
The Man from U.N.C.L.E. (2015 film score) is a stylish, retro-influenced soundtrack by composer Daniel Pemberton that blends jazz, spy-thriller motifs, and 1960s-inspired orchestration for the Guy Ritchie film.
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E.
The Insider (film score)
The Insider (film score) is a moody, atmospheric soundtrack composed by Lisa Gerrard (with collaborators) for Michael Mann’s 1999 whistleblower drama, blending ethereal vocals and ambient textures to heighten the film’s tension and emotional depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Bourne Identity (film score) Target entity description: The Bourne Identity (film score) is an intense, rhythm-driven orchestral and electronic soundtrack by composer John Powell that helped redefine the sound of modern spy and action films.
-
A.
Inside Man (film score)
Inside Man (film score) is a jazz-inflected, suspenseful film soundtrack composed by Terence Blanchard for Spike Lee’s 2006 heist thriller "Inside Man."
-
B.
The Expendables (film score)
The Expendables (film score) is an action-packed orchestral soundtrack composed by Brian Tyler for the 2010 ensemble mercenary film "The Expendables."
-
C.
The Bone Collector (film score)
The Bone Collector (film score) is a dark, suspenseful film soundtrack composed by Craig Armstrong for the 1999 crime thriller of the same name.
-
D.
The Man from U.N.C.L.E. (2015 film score)
The Man from U.N.C.L.E. (2015 film score) is a stylish, retro-influenced soundtrack by composer Daniel Pemberton that blends jazz, spy-thriller motifs, and 1960s-inspired orchestration for the Guy Ritchie film.
-
E.
The Insider (film score)
The Insider (film score) is a moody, atmospheric soundtrack composed by Lisa Gerrard (with collaborators) for Michael Mann’s 1999 whistleblower drama, blending ethereal vocals and ambient textures to heighten the film’s tension and emotional depth.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedWithCharacter | Jason Bourne ⓘ |
| associatedWithFranchise | Bourne film series ⓘ |
| basedOn |
The Bourne Identity
ⓘ
surface form:
The Bourne Identity (2002 film)
|
| composer | John Powell ⓘ |
| composerStyle |
propulsive ostinatos
ⓘ
syncopated rhythms ⓘ use of motifs instead of long themes ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| featuresInstrument |
brass
ⓘ
orchestra ⓘ percussion ⓘ strings ⓘ synthesizer ⓘ |
| follows | traditional orchestral spy scores of the 20th century ⓘ |
| genre |
action film score
ⓘ
electronic music ⓘ film score ⓘ orchestral music ⓘ spy film score ⓘ |
| hasPart |
“At The Bank”
ⓘ
“At The Farmhouse” ⓘ “Bourne Gets Well” ⓘ “Escape from Embassy” ⓘ “Hotel Regina” ⓘ “Main Titles” ⓘ song "Taxi Ride" ⓘ
surface form:
“Taxi Ride”
“The Apartment” ⓘ “The Bourne Identity End Credits” ⓘ “The Conklin Meeting” ⓘ “The Drive to Paris” ⓘ The Investigation ⓘ
surface form:
“The Investigation”
Treadstone ⓘ
surface form:
“Treadstone Assassins”
|
| hasReception |
praised for redefining modern spy/action scoring
ⓘ
recognized as a breakthrough work for John Powell in action scoring ⓘ |
| influenced |
The Bourne Supremacy (film score)
ⓘ
The Bourne Ultimatum (film score) ⓘ later action film scores using hybrid orchestral-electronic style ⓘ |
| language | instrumental ⓘ |
| notableFor |
influencing the sound of 21st-century spy films
ⓘ
integration of electronic and orchestral elements ⓘ rhythm-driven action writing ⓘ |
| partOfSeries | Bourne film series scores ⓘ |
| publicationType | original motion picture score ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Bourne Identity (film score) Description of subject: The Bourne Identity (film score) is an intense, rhythm-driven orchestral and electronic soundtrack by composer John Powell that helped redefine the sound of modern spy and action films.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.