Gauguin's Pont-Aven period
E347237
Gauguin's Pont-Aven period was a formative phase in Paul Gauguin’s career in the late 1880s in the Breton village of Pont-Aven, marked by bold color, synthetist style, and deeply symbolic, often religious imagery.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Gauguin's Pont-Aven period canonical | 1 |
| Pont‑Aven period | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T3306695 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Gauguin's Pont-Aven period Context triple: [The Yellow Christ, partOf, Gauguin's Pont-Aven period]
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A.
Souvenirs sur Paul Gauguin
Souvenirs sur Paul Gauguin is a memoir by French painter Émile Bernard recounting his personal relationship and artistic collaboration with the Post-Impressionist master Paul Gauguin.
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B.
Le Pardon de Pont-Aven
Le Pardon de Pont-Aven is a Post-Impressionist painting by Émile Bernard depicting a Breton religious procession in the town of Pont-Aven, notable for its bold colors and cloisonnist style.
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C.
De Cézanne à Gauguin
De Cézanne à Gauguin is an art-critical work by Émile Bernard that reflects on and analyzes the painting and influence of Paul Cézanne and Paul Gauguin within the development of modern art.
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D.
Les Nabis
Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
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E.
Correspondance avec Paul Gauguin
Correspondance avec Paul Gauguin is a published collection of letters between artists Émile Bernard and Paul Gauguin that offers key insights into their artistic ideas, collaboration, and the development of Symbolism and Post-Impressionism.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Gauguin's Pont-Aven period Target entity description: Gauguin's Pont-Aven period was a formative phase in Paul Gauguin’s career in the late 1880s in the Breton village of Pont-Aven, marked by bold color, synthetist style, and deeply symbolic, often religious imagery.
-
A.
Souvenirs sur Paul Gauguin
Souvenirs sur Paul Gauguin is a memoir by French painter Émile Bernard recounting his personal relationship and artistic collaboration with the Post-Impressionist master Paul Gauguin.
-
B.
Le Pardon de Pont-Aven
Le Pardon de Pont-Aven is a Post-Impressionist painting by Émile Bernard depicting a Breton religious procession in the town of Pont-Aven, notable for its bold colors and cloisonnist style.
-
C.
De Cézanne à Gauguin
De Cézanne à Gauguin is an art-critical work by Émile Bernard that reflects on and analyzes the painting and influence of Paul Cézanne and Paul Gauguin within the development of modern art.
-
D.
Les Nabis
Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
-
E.
Correspondance avec Paul Gauguin
Correspondance avec Paul Gauguin is a published collection of letters between artists Émile Bernard and Paul Gauguin that offers key insights into their artistic ideas, collaboration, and the development of Symbolism and Post-Impressionism.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
artistic period
ⓘ
phase of Paul Gauguin's career ⓘ |
| artisticGoal |
expression of inner ideas rather than optical reality
ⓘ
synthesis of form and color ⓘ |
| associatedWith |
Charles Laval
ⓘ
Meijer de Haan ⓘ Paul Sérusier ⓘ Pont-Aven School ⓘ Émile Bernard ⓘ |
| country | France ⓘ |
| endTime | 1889 ⓘ |
| followedBy | Gauguin's Tahiti period ⓘ |
| follows | Gauguin's Impressionist phase ⓘ |
| genre |
genre painting
ⓘ
religious painting ⓘ |
| hasCharacteristic |
bold color
ⓘ
religious imagery ⓘ symbolic imagery ⓘ synthetist style ⓘ |
| hasPart |
development of Synthetism
ⓘ
emphasis on inner vision over naturalism ⓘ experimentation with flat color areas ⓘ simplification of forms ⓘ use of dark contour lines ⓘ |
| influenced |
Les Nabis
ⓘ
surface form:
Nabis group
Symbolism in painting ⓘ modern art ⓘ |
| influencedBy |
Breton folk art
ⓘ
Breton religious traditions ⓘ Cloisonnism ⓘ Japanese prints ⓘ Émile Bernard ⓘ |
| locatedIn |
Brittany
ⓘ
France ⓘ Pont-Aven ⓘ |
| mainSubject | Paul Gauguin ⓘ |
| movement |
Post-Impressionism
ⓘ
Synthetism ⓘ |
| notableWork |
Breton Women in the Meadow
ⓘ
surface form:
Breton Girls in a Pasture
Breton Peasants ⓘ Self-Portrait with Halo and Snake ⓘ The Green Christ ⓘ The Yellow Christ ⓘ Vision After the Sermon ⓘ
surface form:
Vision after the Sermon
|
| partOf | Paul Gauguin's artistic development ⓘ |
| startTime | 1886 ⓘ |
| theme |
Breton peasant life
ⓘ
Catholic devotion ⓘ landscape ⓘ spiritual symbolism ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Gauguin's Pont-Aven period Description of subject: Gauguin's Pont-Aven period was a formative phase in Paul Gauguin’s career in the late 1880s in the Breton village of Pont-Aven, marked by bold color, synthetist style, and deeply symbolic, often religious imagery.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.