All the Money in the World (film score)
E312680
All the Money in the World (film score) is a tense, atmospheric musical soundtrack composed by Daniel Pemberton for the 2017 crime thriller film about the kidnapping of John Paul Getty III.
All labels observed (1)
| Label | Occurrences |
|---|---|
| All the Money in the World (film score) canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T2933250 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: All the Money in the World (film score) Context triple: [Daniel Pemberton, notableWork, All the Money in the World (film score)]
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A.
World Trade Center (film score)
World Trade Center (film score) is a dramatic orchestral soundtrack composed by Craig Armstrong for Oliver Stone’s 2006 film about the September 11 attacks.
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B.
The Da Vinci Code (2006 film) score
The Da Vinci Code (2006 film) score is a moody, choral-infused orchestral soundtrack by Hans Zimmer that blends suspenseful motifs with religious and historical overtones to underscore the film’s mystery-thriller narrative.
-
C.
The Godfather (film score)
The Godfather (film score) is Nino Rota’s iconic, melancholic orchestral soundtrack for Francis Ford Coppola’s 1972 crime film, renowned for its haunting main theme and evocative portrayal of the Corleone family’s world.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
L.A. Confidential (1997 film score)
L.A. Confidential (1997 film score) is a neo-noir orchestral soundtrack by composer Jerry Goldsmith, acclaimed for its atmospheric blend of jazz-inflected themes and tense, dramatic scoring that complements the film’s dark, 1950s Los Angeles setting.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: All the Money in the World (film score) Target entity description: All the Money in the World (film score) is a tense, atmospheric musical soundtrack composed by Daniel Pemberton for the 2017 crime thriller film about the kidnapping of John Paul Getty III.
-
A.
World Trade Center (film score)
World Trade Center (film score) is a dramatic orchestral soundtrack composed by Craig Armstrong for Oliver Stone’s 2006 film about the September 11 attacks.
-
B.
The Da Vinci Code (2006 film) score
The Da Vinci Code (2006 film) score is a moody, choral-infused orchestral soundtrack by Hans Zimmer that blends suspenseful motifs with religious and historical overtones to underscore the film’s mystery-thriller narrative.
-
C.
The Godfather (film score)
The Godfather (film score) is Nino Rota’s iconic, melancholic orchestral soundtrack for Francis Ford Coppola’s 1972 crime film, renowned for its haunting main theme and evocative portrayal of the Corleone family’s world.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
L.A. Confidential (1997 film score)
L.A. Confidential (1997 film score) is a neo-noir orchestral soundtrack by composer Jerry Goldsmith, acclaimed for its atmospheric blend of jazz-inflected themes and tense, dramatic scoring that complements the film’s dark, 1950s Los Angeles setting.
- F. None of above. chosen
Statements (31)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack album ⓘ |
| associatedGenreOfFilm |
crime thriller
ⓘ
drama film ⓘ |
| associatedWithDirector | Ridley Scott ⓘ |
| associatedWithPerson |
J. Paul Getty
ⓘ
John Paul Getty III ⓘ |
| basedOnFilm |
All the Money in the World
ⓘ
surface form:
All the Money in the World (2017 film)
|
| composer | Daniel Pemberton ⓘ |
| composerNationality | British ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| describesEvent | kidnapping of John Paul Getty III ⓘ |
| genre |
atmospheric
ⓘ
film score ⓘ orchestral ⓘ soundtrack ⓘ tense ⓘ |
| language | instrumental ⓘ |
| musicStyle |
cinematic
ⓘ
dramatic ⓘ suspenseful ⓘ |
| notableFor |
supporting the film’s suspenseful tone
ⓘ
tense atmosphere ⓘ |
| partOf |
All the Money in the World
ⓘ
surface form:
All the Money in the World franchise
|
| productionType | film soundtrack ⓘ |
| releaseYear | 2017 ⓘ |
| subjectMatter |
family drama
ⓘ
kidnapping ⓘ ransom ⓘ wealth ⓘ |
| usedIn |
All the Money in the World
ⓘ
surface form:
All the Money in the World (2017 film)
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: All the Money in the World (film score) Description of subject: All the Money in the World (film score) is a tense, atmospheric musical soundtrack composed by Daniel Pemberton for the 2017 crime thriller film about the kidnapping of John Paul Getty III.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
King Arthur: Legend of the Sword (film score)
→
followedByInComposerWork
→
All the Money in the World (film score)
ⓘ