Suite for Piano, Op. 25
E302921
Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Suite for Piano, Op. 25 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2848641 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Suite for Piano, Op. 25 Context triple: [Arnold Schoenberg, notableWork, Suite for Piano, Op. 25]
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A.
Piano Concerto in A minor, Op. 54
The Piano Concerto in A minor, Op. 54 is a Romantic-era concerto by Robert Schumann celebrated for its lyrical integration of piano and orchestra and its expressive, poetic character.
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B.
Six Pieces for Piano, Op. 118
Six Pieces for Piano, Op. 118 is one of Johannes Brahms’s late piano collections, renowned for its introspective character and rich Romantic expressiveness.
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C.
Piano Concerto in A minor, Op. 7
Piano Concerto in A minor, Op. 7 is Clara Schumann’s youthful Romantic concerto for piano and orchestra, admired for its expressive lyricism and remarkable compositional maturity.
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D.
Piano Quintet in F minor, Op. 34
The Piano Quintet in F minor, Op. 34 is a powerful and richly textured chamber work by Johannes Brahms, celebrated for its symphonic scope, dramatic intensity, and masterful interplay between piano and string quartet.
-
E.
Piano Concerto No. 2 in B-flat major, Op. 83
Piano Concerto No. 2 in B-flat major, Op. 83 is a grand, four-movement Romantic concerto for piano and orchestra by Johannes Brahms, renowned for its symphonic scale, technical demands, and lyrical depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Suite for Piano, Op. 25 Target entity description: Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
-
A.
Piano Concerto in A minor, Op. 54
The Piano Concerto in A minor, Op. 54 is a Romantic-era concerto by Robert Schumann celebrated for its lyrical integration of piano and orchestra and its expressive, poetic character.
-
B.
Six Pieces for Piano, Op. 118
Six Pieces for Piano, Op. 118 is one of Johannes Brahms’s late piano collections, renowned for its introspective character and rich Romantic expressiveness.
-
C.
Piano Concerto in A minor, Op. 7
Piano Concerto in A minor, Op. 7 is Clara Schumann’s youthful Romantic concerto for piano and orchestra, admired for its expressive lyricism and remarkable compositional maturity.
-
D.
Piano Quintet in F minor, Op. 34
The Piano Quintet in F minor, Op. 34 is a powerful and richly textured chamber work by Johannes Brahms, celebrated for its symphonic scope, dramatic intensity, and masterful interplay between piano and string quartet.
-
E.
Piano Concerto No. 2 in B-flat major, Op. 83
Piano Concerto No. 2 in B-flat major, Op. 83 is a grand, four-movement Romantic concerto for piano and orchestra by Johannes Brahms, renowned for its symphonic scale, technical demands, and lyrical depth.
- F. None of above. chosen
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
piano composition ⓘ twelve-tone composition ⓘ |
| associatedWith | Arnold Schoenberg’s mature twelve-tone period ⓘ |
| basedOn | Baroque dance-suite forms ⓘ |
| belongsTo | Second Viennese School repertoire ⓘ |
| catalogueNumber | Op. 25 ⓘ |
| composer | Arnold Schoenberg ⓘ |
| composerNationality | Austrian ⓘ |
| compositionalMethod | serialism ⓘ |
| dedicatedTo | Ernst Krenek ⓘ |
| genre | suite ⓘ |
| hasForm | suite in Baroque-style movements ⓘ |
| hasInstrumentation | piano solo ⓘ |
| historicalSignificance | among first compositions to systematically apply twelve-tone method ⓘ |
| influenced | later twelve-tone piano works ⓘ |
| isAmong | first fully twelve-tone works by Arnold Schoenberg ⓘ |
| key | atonal ⓘ |
| languageOfMovementTitles | German ⓘ |
| movement |
Gavotte
ⓘ
Gigue ⓘ Intermezzo ⓘ Menuett ⓘ Musette ⓘ Präludium ⓘ Trio ⓘ |
| notableFor |
being a key early example of Schoenberg’s dodecaphonic method
ⓘ
integration of Baroque dance forms with twelve-tone technique ⓘ |
| numberOfMovements | 6 ⓘ |
| opusNumber | Op. 25 ⓘ |
| partOf | Schoenberg piano repertoire ⓘ |
| period | 20th-century classical music ⓘ |
| premiereStatus | landmark of early twelve-tone repertoire ⓘ |
| scoredFor | solo piano ⓘ |
| style |
expressionist
ⓘ
serial ⓘ |
| usesRow | single basic twelve-tone row ⓘ |
| usesTechnique |
dodecaphony
ⓘ
twelve-tone technique ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Suite for Piano, Op. 25 Description of subject: Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.