Kommt, ihr Töchter, helft mir klagen
E298352
"Kommt, ihr Töchter, helft mir klagen" is the grand choral opening movement of J.S. Bach’s St Matthew Passion, renowned for its double-chorus writing and deeply mournful character.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Kommt, ihr Töchter, helft mir klagen canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2797767 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Kommt, ihr Töchter, helft mir klagen Context triple: [St Matthew Passion, openingMovement, Kommt, ihr Töchter, helft mir klagen]
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A.
Stepsisters’ Lament
"Stepsisters’ Lament" is a comic song from the Rodgers and Hammerstein musical "Cinderella," sung by the stepsisters as they jealously complain about Cinderella’s appeal to the prince.
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B.
Stille Hilfe
Stille Hilfe was a post-World War II German support organization that covertly aided former SS members and Nazi war criminals with legal, financial, and logistical assistance.
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C.
Tale of the stepmother
Tale of the Stepmother is a short inset narrative in Apuleius’ *Metamorphoses* that recounts a dark domestic drama of jealousy, false accusation, and familial betrayal.
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D.
The Daughter
The Daughter is a 2015 Australian drama film, adapted from Henrik Ibsen’s play "The Wild Duck," that explores buried family secrets and emotional fallout in a small town.
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E.
Biedermann und die Brandstifter
Biedermann und die Brandstifter is a satirical play by Swiss author Max Frisch that explores themes of complicity and moral cowardice in the face of rising fascism and destructive forces.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Kommt, ihr Töchter, helft mir klagen Target entity description: "Kommt, ihr Töchter, helft mir klagen" is the grand choral opening movement of J.S. Bach’s St Matthew Passion, renowned for its double-chorus writing and deeply mournful character.
-
A.
Stepsisters’ Lament
"Stepsisters’ Lament" is a comic song from the Rodgers and Hammerstein musical "Cinderella," sung by the stepsisters as they jealously complain about Cinderella’s appeal to the prince.
-
B.
Stille Hilfe
Stille Hilfe was a post-World War II German support organization that covertly aided former SS members and Nazi war criminals with legal, financial, and logistical assistance.
-
C.
Tale of the stepmother
Tale of the Stepmother is a short inset narrative in Apuleius’ *Metamorphoses* that recounts a dark domestic drama of jealousy, false accusation, and familial betrayal.
-
D.
The Daughter
The Daughter is a 2015 Australian drama film, adapted from Henrik Ibsen’s play "The Wild Duck," that explores buried family secrets and emotional fallout in a small town.
-
E.
Biedermann und die Brandstifter
Biedermann und die Brandstifter is a satirical play by Swiss author Max Frisch that explores themes of complicity and moral cowardice in the face of rising fascism and destructive forces.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
choral movement
ⓘ
opening chorus ⓘ sacred vocal music ⓘ |
| associatedCity | Leipzig ⓘ |
| associatedComposerStylePeriod | Baroque ⓘ |
| catalogNumber | BWV 244 ⓘ |
| cataloguedIn |
BWV (Bach-Werke-Verzeichnis)
ⓘ
surface form:
Bach-Werke-Verzeichnis
|
| character |
lamenting
ⓘ
mournful ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| firstPerformanceDate | 11 April 1727 (probable) ⓘ |
| firstPerformanceVenue |
St. Thomas Church, Leipzig
ⓘ
surface form:
Thomaskirche, Leipzig
|
| genre | Passion music ⓘ |
| hasForm | chorus with embedded chorale ⓘ |
| historicalPeriod | 18th century ⓘ |
| instrumentation |
orchestra
ⓘ
two choirs ⓘ two orchestras ⓘ |
| key | E minor ⓘ |
| language | German ⓘ |
| liturgicalContext |
Good Friday
ⓘ
Holy Week ⓘ |
| notableFeature |
double-chorus writing
ⓘ
superimposed chorale over choral texture ⓘ |
| openingWords | Kommt, ihr Töchter, helft mir klagen ⓘ |
| originalFunction | church service music ⓘ |
| partOf | St Matthew Passion ⓘ |
| performancePractice |
often performed with period instruments
ⓘ
often sung by mixed choirs in modern performances ⓘ |
| placeOfFirstPerformance | Leipzig ⓘ |
| positionInWork | opening movement of Part I ⓘ |
| relatedWork |
St John Passion
ⓘ
surface form:
St John Passion, BWV 245
|
| religiousTradition |
Lutheranism
ⓘ
surface form:
Lutheran
|
| scoringFeature | two separate choirs and orchestras in dialogue ⓘ |
| structure | double-chorus setting with processional character ⓘ |
| subjectMatter | meditation on Christ’s Passion ⓘ |
| textAuthor | Picander ⓘ |
| texture | polyphonic ⓘ |
| thematicMaterial |
chorale "O Lamm Gottes, unschuldig"
ⓘ
processional dotted-rhythm motive ⓘ |
| timeSignature | 12/8 ⓘ |
| titleTranslationEnglish | Come, ye daughters, share my mourning ⓘ |
| usesChorale | O Lamm Gottes, unschuldig ⓘ |
| vocalForces |
boys’ choir (ripieno)
ⓘ
double chorus ⓘ soloists ⓘ |
| workNumberInStMatthewPassion | No. 1 ⓘ |
| workTonalCenter | E minor ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Kommt, ihr Töchter, helft mir klagen Description of subject: "Kommt, ihr Töchter, helft mir klagen" is the grand choral opening movement of J.S. Bach’s St Matthew Passion, renowned for its double-chorus writing and deeply mournful character.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.