Psycho (1960 film) score
E288338
The "Psycho" (1960) score is Bernard Herrmann’s iconic, string-only film soundtrack, renowned for its shrieking violins and tense motifs that revolutionized horror movie music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Psycho (1960 film) score canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T2668102 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Psycho (1960 film) score Context triple: [Bernard Herrmann, notableWork, Psycho (1960 film) score]
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A.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
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B.
Papillon (1973 film score)
Papillon (1973 film score) is a dramatic and atmospheric film soundtrack composed by Jerry Goldsmith for the 1973 prison escape drama "Papillon."
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C.
Poltergeist (1982 film score)
Poltergeist (1982 film score) is a renowned horror film soundtrack composed by Jerry Goldsmith, celebrated for its haunting orchestral themes and innovative use of sound to heighten supernatural terror.
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D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
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E.
Round Midnight (film score)
"Round Midnight" is a jazz film score composed by Herbie Hancock for the 1986 movie of the same name, acclaimed for its atmospheric, bebop-inspired music and its Academy Award–winning original score.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Psycho (1960 film) score Target entity description: The "Psycho" (1960) score is Bernard Herrmann’s iconic, string-only film soundtrack, renowned for its shrieking violins and tense motifs that revolutionized horror movie music.
-
A.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
B.
Papillon (1973 film score)
Papillon (1973 film score) is a dramatic and atmospheric film soundtrack composed by Jerry Goldsmith for the 1973 prison escape drama "Papillon."
-
C.
Poltergeist (1982 film score)
Poltergeist (1982 film score) is a renowned horror film soundtrack composed by Jerry Goldsmith, celebrated for its haunting orchestral themes and innovative use of sound to heighten supernatural terror.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
Round Midnight (film score)
"Round Midnight" is a jazz film score composed by Herbie Hancock for the 1986 movie of the same name, acclaimed for its atmospheric, bebop-inspired music and its Academy Award–winning original score.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack ⓘ |
| associatedScene |
shower murder scene
ⓘ
staircase murder scene ⓘ |
| composer | Bernard Herrmann ⓘ |
| composerDecision | Herrmann chose all-strings ensemble ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReputation |
landmark in horror music
ⓘ
one of the most influential film scores in cinema history ⓘ |
| directorCollaborator | Alfred Hitchcock ⓘ |
| distributorOfFilm | Paramount Pictures ⓘ |
| famousCue |
Prelude
ⓘ
The City ⓘ The Murder ⓘ The Rainstorm ⓘ The Stairs ⓘ |
| forWork |
Psycho
ⓘ
surface form:
Psycho (1960 film)
|
| genre |
film music
ⓘ
horror film music ⓘ |
| impactOnDirector | Alfred Hitchcock credited the score with enhancing the film’s effectiveness ⓘ |
| influencedGenre |
horror film scoring conventions
ⓘ
slasher film music ⓘ |
| innovation |
exclusive use of strings for entire score
ⓘ
use of shrieking string clusters to depict violence ⓘ |
| instrumentation | string orchestra ⓘ |
| languageOfWork | non-vocal ⓘ |
| laterReleases | re-recorded soundtrack albums ⓘ |
| mood |
frightening
ⓘ
suspenseful ⓘ tense ⓘ |
| notableFeature |
dissonant harmonies
ⓘ
ostinato patterns ⓘ screeching violin glissandi ⓘ sharp staccato attacks ⓘ string-only orchestration ⓘ |
| productionCompanyOfFilm | Shamley Productions ⓘ |
| recordingFormat | mono ⓘ |
| releaseYear | 1960 ⓘ |
| style |
atonal
ⓘ
modernist ⓘ |
| tempoCharacteristic | driving rhythmic figures ⓘ |
| usedIn |
climactic revelation scene of Psycho (1960 film)
ⓘ
opening titles of Psycho (1960 film) ⓘ |
| usesInstrument |
cello
ⓘ
double bass ⓘ viola ⓘ violin ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Psycho (1960 film) score Description of subject: The "Psycho" (1960) score is Bernard Herrmann’s iconic, string-only film soundtrack, renowned for its shrieking violins and tense motifs that revolutionized horror movie music.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.