Symphony No. 2 in D major, Op. 36
E284154
Symphony No. 2 in D major, Op. 36 is an early symphony by Ludwig van Beethoven that showcases his emerging individual style within the Classical tradition.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 2 in D major, Op. 36 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T2577198 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 2 in D major, Op. 36 Context triple: [Symphony No. 3 in E-flat major, Op. 55 "Eroica", precededBy, Symphony No. 2 in D major, Op. 36]
-
A.
Symphony No. 2 in D major, Op. 73
Symphony No. 2 in D major, Op. 73 is a warmly lyrical and pastoral orchestral work by Johannes Brahms, often regarded as one of his most accessible and beloved symphonies.
-
B.
Symphony No. 2 in C major, Op. 61
Symphony No. 2 in C major, Op. 61 is a large-scale Romantic symphony by Robert Schumann, admired for its contrapuntal writing, emotional depth, and triumphant finale.
-
C.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
D.
Symphony No. 2 in C minor, Op. 17
Symphony No. 2 in C minor, Op. 17 is a large-scale orchestral work by Pyotr Ilyich Tchaikovsky, often nicknamed the "Little Russian" for its prominent use of Ukrainian folk melodies.
-
E.
Symphony No. 3 in D major, Op. 29
Symphony No. 3 in D major, Op. 29 is a symphonic work by Russian composer Pyotr Ilyich Tchaikovsky, notable as his only symphony written in a major key and often nicknamed the "Polish" Symphony.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 2 in D major, Op. 36 Target entity description: Symphony No. 2 in D major, Op. 36 is an early symphony by Ludwig van Beethoven that showcases his emerging individual style within the Classical tradition.
-
A.
Symphony No. 2 in D major, Op. 73
Symphony No. 2 in D major, Op. 73 is a warmly lyrical and pastoral orchestral work by Johannes Brahms, often regarded as one of his most accessible and beloved symphonies.
-
B.
Symphony No. 2 in C major, Op. 61
Symphony No. 2 in C major, Op. 61 is a large-scale Romantic symphony by Robert Schumann, admired for its contrapuntal writing, emotional depth, and triumphant finale.
-
C.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
D.
Symphony No. 2 in C minor, Op. 17
Symphony No. 2 in C minor, Op. 17 is a large-scale orchestral work by Pyotr Ilyich Tchaikovsky, often nicknamed the "Little Russian" for its prominent use of Ukrainian folk melodies.
-
E.
Symphony No. 3 in D major, Op. 29
Symphony No. 3 in D major, Op. 29 is a symphonic work by Russian composer Pyotr Ilyich Tchaikovsky, notable as his only symphony written in a major key and often nicknamed the "Polish" Symphony.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| approximateCompositionEnd | 1802 ⓘ |
| approximateCompositionStart | 1801 ⓘ |
| approximateDuration | 30–35 minutes ⓘ |
| catalogNumber | Op. 36 ⓘ |
| composer | Ludwig van Beethoven ⓘ |
| conductorAtPremiere | Ludwig van Beethoven ⓘ |
| countryOfOrigin | Austria ⓘ |
| dedicatedTo |
Prince Karl von Lichnowsky
ⓘ
surface form:
Karl Alois, Prince Lichnowsky
|
| firstPublicationYear | 1804 ⓘ |
| followsFormalTradition | Classical sonata form ⓘ |
| genre | Classical symphony ⓘ |
| hasCatalogueEntry |
WoO (Werke ohne Opuszahl)
ⓘ
surface form:
Beethoven-Werkverzeichnis (Biamonti, Hess, etc.)
|
| influencedBy |
Joseph Haydn
ⓘ
Wolfgang Amadeus Mozart ⓘ |
| key | D major ⓘ |
| language | none (instrumental) ⓘ |
| movement |
I. Adagio molto – Allegro con brio
ⓘ
II. Larghetto ⓘ III. Scherzo: Allegro ⓘ IV. Allegro molto ⓘ |
| movementCount | 4 ⓘ |
| notableFeature | early example of Beethoven’s emerging individual symphonic style ⓘ |
| numberInSeries | 2 ⓘ |
| orchestration |
2 bassoons
ⓘ
2 clarinets in A ⓘ 2 flutes ⓘ 2 horns in D and E ⓘ 2 oboes ⓘ 2 trumpets in D ⓘ strings ⓘ timpani ⓘ |
| period | Classical period ⓘ |
| placeOfComposition | Vienna ⓘ |
| premiereCity | Vienna ⓘ |
| premiereCountry | Austria ⓘ |
| premiereDate | 5 April 1803 ⓘ |
| premierePlace | Theater an der Wien ⓘ |
| publisher |
Bureau des arts et d’industrie
ⓘ
surface form:
Bureau des arts et d'industrie
|
| relatedWorkByComposer |
Symphony No. 1 in C major, Op. 21
ⓘ
Symphony No. 3 in E-flat major, Op. 55 "Eroica" ⓘ |
| styleCharacteristic |
bold harmonic language for its time
ⓘ
expanded use of scherzo instead of minuet ⓘ strong dynamic contrasts ⓘ transitional between Classical and early Romantic ⓘ |
| workOrderInComposerOutput | early symphony ⓘ |
| yearOfCompletion | 1802 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 2 in D major, Op. 36 Description of subject: Symphony No. 2 in D major, Op. 36 is an early symphony by Ludwig van Beethoven that showcases his emerging individual style within the Classical tradition.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.