Contrapunctus IV
E277146
Contrapunctus IV is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its dense counterpoint and expressive development of the principal theme.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Contrapunctus IV canonical | 5 |
How this entity was disambiguated
This entity first appeared as the object of triple T2477420 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Contrapunctus IV Context triple: [The Art of Fugue, movement, Contrapunctus IV]
-
A.
Contrapunctus III
Contrapunctus III is one of Johann Sebastian Bach’s intricate fugues from *The Art of Fugue*, showcasing his exploration of contrapuntal variation on a single musical theme.
-
B.
Contrapunctus II
Contrapunctus II is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its lively rhythmic character and contrapuntal complexity.
-
C.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
-
D.
Musical Offering
Musical Offering is a renowned collection of canons, fugues, and a trio sonata by Johann Sebastian Bach, based on a theme provided by Frederick the Great and celebrated for its intricate contrapuntal writing.
-
E.
Fugues for organ
Fugues for organ is a collection of organ compositions by Wilhelm Friedemann Bach that showcases his intricate contrapuntal writing and expressive Baroque style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Contrapunctus IV Target entity description: Contrapunctus IV is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its dense counterpoint and expressive development of the principal theme.
-
A.
Contrapunctus III
Contrapunctus III is one of Johann Sebastian Bach’s intricate fugues from *The Art of Fugue*, showcasing his exploration of contrapuntal variation on a single musical theme.
-
B.
Contrapunctus II
Contrapunctus II is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its lively rhythmic character and contrapuntal complexity.
-
C.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
-
D.
Musical Offering
Musical Offering is a renowned collection of canons, fugues, and a trio sonata by Johann Sebastian Bach, based on a theme provided by Frederick the Great and celebrated for its intricate contrapuntal writing.
-
E.
Fugues for organ
Fugues for organ is a collection of organ compositions by Wilhelm Friedemann Bach that showcases his intricate contrapuntal writing and expressive Baroque style.
- F. None of above. chosen
Statements (42)
| Predicate | Object |
|---|---|
| instanceOf |
fugue
ⓘ
movement ⓘ |
| belongsToComposer | Johann Sebastian Bach ⓘ |
| catalogNumber | BWV 1080 ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| composerNationality | German ⓘ |
| cyclePosition | fourth fugue in The Art of Fugue ⓘ |
| educationalUse | study piece for advanced counterpoint ⓘ |
| genre |
Baroque music
ⓘ
contrapuntal music ⓘ |
| hasCounterpointTechnique |
augmentation and diminution of the subject
ⓘ
imitation ⓘ invertible counterpoint ⓘ stretto ⓘ |
| hasThemeType | derived from The Art of Fugue principal subject ⓘ |
| hasWorkNumber | movement of BWV 1080 ⓘ |
| historicalContext | late works of Johann Sebastian Bach ⓘ |
| influencedField | theory and pedagogy of fugue ⓘ |
| intendedInstrumentation | unspecified keyboard or ensemble ⓘ |
| key | D minor ⓘ |
| language | instrumental ⓘ |
| musicalForm | fugue ⓘ |
| notableCharacteristic |
dense counterpoint
ⓘ
expressive development of the principal theme ⓘ |
| numberOfVoices | four voices ⓘ |
| partOf | The Art of Fugue ⓘ |
| partOfCollection |
The Art of Fugue
ⓘ
surface form:
Bach’s late contrapuntal studies
|
| period | Baroque ⓘ |
| publicationStatus | posthumously published as part of The Art of Fugue ⓘ |
| relatedWork |
Contrapunctus I
ⓘ
Contrapunctus II ⓘ Contrapunctus III ⓘ other Contrapuncti of The Art of Fugue ⓘ |
| style | learned counterpoint ⓘ |
| subjectTreatment | systematic contrapuntal development ⓘ |
| texture | polyphonic ⓘ |
| tonalCenter | D minor ⓘ |
| typicalPerformanceMedium |
chamber ensemble arrangements
ⓘ
keyboard (harpsichord or piano) ⓘ string quartet arrangements ⓘ |
| usesTheme | principal Art of Fugue subject ⓘ |
| workSeries | Contrapuncti of The Art of Fugue ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Contrapunctus IV Description of subject: Contrapunctus IV is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its dense counterpoint and expressive development of the principal theme.
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.