Salon of 1808
E230694
The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Salon of 1808 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2043219 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Salon of 1808 Context triple: [The Coronation of Napoleon, exhibitionHistory, Salon of 1808]
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A.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
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B.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
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C.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
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D.
Salon of 1787
The Salon of 1787 was a major Parisian art exhibition of the late 18th century, organized by the French Royal Academy of Painting and Sculpture, where leading artists of the time presented their works to the public and critics.
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E.
Le Triomphe de 1810
Le Triomphe de 1810 is a prominent sculptural relief on the Arc de Triomphe in Paris, commemorating Napoleon’s military victories and the glory of the French Empire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Salon of 1808 Target entity description: The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
-
A.
Salon of 1814
The Salon of 1814 was a major Parisian art exhibition held during the late Napoleonic era, showcasing contemporary French painting and sculpture to the public and the Academy.
-
B.
Salon of 1819
The Salon of 1819 was the official Paris art exhibition where Théodore Géricault’s controversial masterpiece "The Raft of the Medusa" was first publicly displayed, marking a pivotal moment in French Romantic art.
-
C.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
-
D.
Salon of 1787
The Salon of 1787 was a major Parisian art exhibition of the late 18th century, organized by the French Royal Academy of Painting and Sculpture, where leading artists of the time presented their works to the public and critics.
-
E.
Le Triomphe de 1810
Le Triomphe de 1810 is a prominent sculptural relief on the Arc de Triomphe in Paris, commemorating Napoleon’s military victories and the glory of the French Empire.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Paris Salon
ⓘ
art exhibition ⓘ cultural event ⓘ |
| artisticTendency |
emphasis on classical themes
ⓘ
emphasis on heroic subjects ⓘ emphasis on moralizing narratives ⓘ |
| artMovement | Neoclassicism ⓘ |
| artStyleDominant |
grand manner
ⓘ
monumental Neoclassical composition ⓘ |
| audience |
European elites
ⓘ
Parisian public ⓘ |
| censorship | subject to imperial control over content ⓘ |
| chronology | early 19th century ⓘ |
| city | Paris ⓘ |
| country | France ⓘ |
| culturalRole |
instrument of cultural policy under Napoleon I
ⓘ
showcase of official taste in art ⓘ |
| exhibitionType | periodic state-sponsored salon ⓘ |
| function |
promotion of the image of Napoleon I
ⓘ
promotion of the image of the French Empire ⓘ public display of contemporary French art ⓘ |
| genre |
allegorical painting
ⓘ
history painting ⓘ portrait painting ⓘ |
| historicalPeriod | Napoleonic era ⓘ |
| ideologyPromoted |
Napoleonic imperial ideology
ⓘ
glorification of the French Empire ⓘ imperial propaganda ⓘ |
| impact |
influenced public perception of Napoleon I
ⓘ
reinforced Neoclassicism as the dominant official style in France ⓘ |
| languageContext | French ⓘ |
| location | Paris ⓘ |
| mediumsShown |
drawing
ⓘ
oil painting ⓘ sculpture ⓘ |
| organizer |
French Académie des Beaux-Arts
ⓘ
surface form:
Académie des Beaux-Arts
|
| patron | Napoleon I ⓘ |
| politicalContext | First French Empire ⓘ |
| region |
Île-de-France region
ⓘ
surface form:
Île-de-France
|
| relationToInstitution | official exhibition of the Académie des Beaux-Arts ⓘ |
| rulerDuring | Napoleon I ⓘ |
| selectionType | juried exhibition ⓘ |
| significance |
key platform for state-sponsored Neoclassical art
ⓘ
major official exhibition of the Napoleonic era ⓘ |
| sponsor |
France
ⓘ
surface form:
French state
|
| venue |
Louvre Museum
ⓘ
surface form:
Louvre
|
| year | 1808 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Salon of 1808 Description of subject: The Salon of 1808 was a major Parisian art exhibition under Napoleon’s rule, notable for showcasing grand Neoclassical works that promoted the image and ideology of the French Empire.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.