Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5
E201678
Johannes Brahms’ Piano Sonata No. 3 in F minor, Op. 5 is a large-scale, virtuosic Romantic piano work notable for its five-movement structure and dramatic, symphonic character.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5 canonical | 1 |
| Piano Sonata No. 3 in F minor, Op. 5 | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773148 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5 Context triple: [Clara Schumann, dedicateeOf, Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5]
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A.
Johannes Brahms: Piano Sonata No. 2 in F-sharp minor, Op. 2
Johannes Brahms’ Piano Sonata No. 2 in F-sharp minor, Op. 2 is an early large-scale Romantic piano work notable for its virtuosic demands, dramatic intensity, and rich, symphonic textures.
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B.
Johannes Brahms: Piano Sonata No. 1 in C major, Op. 1
Johannes Brahms’s Piano Sonata No. 1 in C major, Op. 1 is a large-scale, virtuosic early Romantic piano work that showcases the young composer’s structural ambition and expressive intensity.
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C.
Robert Schumann: Piano Sonata No. 1 in F-sharp minor, Op. 11
Robert Schumann’s Piano Sonata No. 1 in F-sharp minor, Op. 11 is a large-scale, early Romantic piano work noted for its passionate intensity, lyrical themes, and cyclical structure.
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D.
Johannes Brahms: Piano Concerto No. 1 in D minor, Op. 15
Johannes Brahms’ Piano Concerto No. 1 in D minor, Op. 15 is a monumental Romantic concerto noted for its symphonic scale, dramatic intensity, and virtuosic yet deeply expressive piano writing.
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E.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5 Target entity description: Johannes Brahms’ Piano Sonata No. 3 in F minor, Op. 5 is a large-scale, virtuosic Romantic piano work notable for its five-movement structure and dramatic, symphonic character.
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A.
Johannes Brahms: Piano Sonata No. 2 in F-sharp minor, Op. 2
Johannes Brahms’ Piano Sonata No. 2 in F-sharp minor, Op. 2 is an early large-scale Romantic piano work notable for its virtuosic demands, dramatic intensity, and rich, symphonic textures.
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B.
Johannes Brahms: Piano Sonata No. 1 in C major, Op. 1
Johannes Brahms’s Piano Sonata No. 1 in C major, Op. 1 is a large-scale, virtuosic early Romantic piano work that showcases the young composer’s structural ambition and expressive intensity.
-
C.
Robert Schumann: Piano Sonata No. 1 in F-sharp minor, Op. 11
Robert Schumann’s Piano Sonata No. 1 in F-sharp minor, Op. 11 is a large-scale, early Romantic piano work noted for its passionate intensity, lyrical themes, and cyclical structure.
-
D.
Johannes Brahms: Piano Concerto No. 1 in D minor, Op. 15
Johannes Brahms’ Piano Concerto No. 1 in D minor, Op. 15 is a monumental Romantic concerto noted for its symphonic scale, dramatic intensity, and virtuosic yet deeply expressive piano writing.
-
E.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic-era composition
ⓘ
piano sonata ⓘ solo piano work ⓘ |
| approximateCompositionEndYear | 1853 ⓘ |
| approximateCompositionStartYear | 1853 ⓘ |
| associatedComposer |
Clara Schumann
ⓘ
Robert Schumann ⓘ |
| belongsToRepertoire | standard Romantic piano repertoire ⓘ |
| catalogueNumber | Op. 5 ⓘ |
| character |
symphonic
ⓘ
virtuosic ⓘ |
| composer | Johannes Brahms ⓘ |
| composerNationality | German ⓘ |
| countryOfOrigin | Germany ⓘ |
| dedicatedTo | Countess Ida von Hohenthal ⓘ |
| fifthMovementTempoMarking | Finale: Allegro moderato ma rubato ⓘ |
| firstMovementForm | sonata form ⓘ |
| firstMovementKey | F minor ⓘ |
| firstMovementTempoMarking | Allegro maestoso ⓘ |
| followedBy |
Variations on a Theme by Schumann
ⓘ
surface form:
Variations on a Theme by Schumann, Op. 9
|
| fourthMovementTempoMarking | Intermezzo: Andante molto ⓘ |
| genre | piano sonata ⓘ |
| hasCatalogueAbbreviation | Op. 5 ⓘ |
| key | F minor ⓘ |
| languageOfTempoMarkings | Italian ⓘ |
| movementCount | 5 ⓘ |
| notableFeature |
dramatic contrasts
ⓘ
five movements instead of the more typical three or four ⓘ high technical difficulty ⓘ rich harmonic language ⓘ symphonic treatment of the piano ⓘ unusually large-scale for a piano sonata ⓘ use of cyclic thematic connections between movements ⓘ |
| numberInSet | 3 ⓘ |
| opusNumber | Op. 5 ⓘ |
| partOf | Johannes Brahms’ early piano works ⓘ |
| period | Romantic ⓘ |
| placeOfComposition | Düsseldorf ⓘ |
| precededBy | Piano Sonata No. 2 in F-sharp minor, Op. 2 ⓘ |
| premierePerformer | Johannes Brahms ⓘ |
| publisher | Breitkopf & Härtel ⓘ |
| scoring | solo piano ⓘ |
| secondMovementTempoMarking | Andante espressivo ⓘ |
| structure | five-movement structure ⓘ |
| style | Romantic ⓘ |
| thirdMovementTempoMarking | Scherzo: Allegro energico ⓘ |
| typicalPerformanceDuration | 30–40 minutes ⓘ |
| workTitle |
Piano Sonata No. 3
ⓘ
surface form:
Klaviersonate Nr. 3 f-Moll
Piano Sonata No. 3 in F minor, Op. 5 ⓘ
surface form:
Piano Sonata No. 3 in F minor
|
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Subject: Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5 Description of subject: Johannes Brahms’ Piano Sonata No. 3 in F minor, Op. 5 is a large-scale, virtuosic Romantic piano work notable for its five-movement structure and dramatic, symphonic character.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.