Symphony No. 4 in D minor, Op. 120
E201674
Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 4 in D minor, Op. 120 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T1772961 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 4 in D minor, Op. 120 Context triple: [Robert Schumann, notableWork, Symphony No. 4 in D minor, Op. 120]
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A.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
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B.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
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C.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
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D.
Symphony No. 7 in A major, Op. 92
Symphony No. 7 in A major, Op. 92 is one of Ludwig van Beethoven’s most celebrated symphonies, renowned for its rhythmic vitality and exuberant energy, particularly in its famous Allegretto movement.
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E.
Symphony No. 5
Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 4 in D minor, Op. 120 Target entity description: Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
-
A.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
-
B.
Symphony No. 6
Symphony No. 6 is a contemporary orchestral work by American composer John Harbison that reflects his modern yet accessible style and command of large-scale symphonic form.
-
C.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
-
D.
Symphony No. 7 in A major, Op. 92
Symphony No. 7 in A major, Op. 92 is one of Ludwig van Beethoven’s most celebrated symphonies, renowned for its rhythmic vitality and exuberant energy, particularly in its famous Allegretto movement.
-
E.
Symphony No. 5
Symphony No. 5 is a contemporary orchestral work by American composer John Harbison, reflecting his modern yet accessible style and contribution to late-20th-century symphonic repertoire.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| alsoKnownAs | Schumann Symphony No. 4 ⓘ |
| approximateDuration | 30 minutes ⓘ |
| catalogNumber | Op. 120 ⓘ |
| composer | Robert Schumann ⓘ |
| countryOfOrigin | Germany ⓘ |
| dedicatedTo | Clara Schumann ⓘ |
| firstVersionCompositionYear | 1841 ⓘ |
| genre | Romantic music ⓘ |
| hasMovement |
Langsam – Lebhaft
ⓘ
Romanze: Ziemlich langsam ⓘ Scherzo: Lebhaft ⓘ Ziemlich langsam – Lebhaft ⓘ |
| hasThematicLinkWithMovement | themes recur between first and last movements ⓘ |
| hasVersion |
1841 original version
ⓘ
1851 revised version ⓘ |
| influencedBy | Beethoven’s symphonic style ⓘ |
| key | D minor ⓘ |
| languageOfWork | none (instrumental) ⓘ |
| mostPerformedVersion | 1851 revised version ⓘ |
| movementCount | 4 ⓘ |
| notableCharacteristic |
links between movements without full stops
ⓘ
recurring thematic material across movements ⓘ unified, dramatic whole ⓘ |
| numberInSeries | 4 ⓘ |
| opusNumber | Op. 120 ⓘ |
| orchestration |
brass
ⓘ
strings ⓘ timpani ⓘ woodwinds ⓘ |
| period | Romantic era ⓘ |
| placeOfPremiere | Leipzig ⓘ |
| premiereDate | 1841 ⓘ |
| publisher | Breitkopf & Härtel ⓘ |
| relatedWorkByComposer |
Symphony No. 1 in B-flat major, Op. 38
ⓘ
Symphony No. 2 in C major, Op. 61 ⓘ Symphony No. 3 in E-flat major, Op. 97 ⓘ |
| revisedVersionPremiereDate | 1853 ⓘ |
| revisionYear | 1851 ⓘ |
| structureFeature |
continuous performance without long pauses
ⓘ
cyclic form ⓘ thematic transformation ⓘ tightly integrated movements ⓘ |
| tonalCenterOfFinale | D major (ending) ⓘ |
| typicalFormOfFirstMovement | sonata form (modified) ⓘ |
| typicalFormOfThirdMovement | scherzo and trio ⓘ |
| workPeriodInComposerOutput | Düsseldorf period ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 4 in D minor, Op. 120 Description of subject: Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.