Johannes Brahms: Variations on a Theme by Schumann, Op. 9
E200243
"Johannes Brahms: Variations on a Theme by Schumann, Op. 9" is a set of piano variations composed in 1854 that pays intimate musical homage to Robert Schumann while reflecting Brahms’s deep personal and artistic connection to the Schumann circle.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Johannes Brahms: Variations on a Theme by Schumann, Op. 9 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773145 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Johannes Brahms: Variations on a Theme by Schumann, Op. 9 Context triple: [Clara Schumann, dedicateeOf, Johannes Brahms: Variations on a Theme by Schumann, Op. 9]
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A.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
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B.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
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C.
Johannes Brahms
Johannes Brahms was a 19th-century German composer and pianist renowned for his symphonies, concertos, chamber music, and choral works that combined classical forms with Romantic expressiveness.
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D.
Max Bruch’s “Kol Nidrei” Op. 47
Max Bruch’s “Kol Nidrei” Op. 47 is a late-Romantic composition for cello and orchestra that uses the traditional Jewish Kol Nidre prayer melody as the basis for a lyrical, meditative concert work.
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E.
Franck Symphony in D minor
Franck's Symphony in D minor is a late-Romantic orchestral work renowned for its cyclical structure, rich harmonies, and emotional intensity, and is considered the Belgian composer's symphonic masterpiece.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Johannes Brahms: Variations on a Theme by Schumann, Op. 9 Target entity description: "Johannes Brahms: Variations on a Theme by Schumann, Op. 9" is a set of piano variations composed in 1854 that pays intimate musical homage to Robert Schumann while reflecting Brahms’s deep personal and artistic connection to the Schumann circle.
-
A.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
-
B.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
-
C.
Johannes Brahms
Johannes Brahms was a 19th-century German composer and pianist renowned for his symphonies, concertos, chamber music, and choral works that combined classical forms with Romantic expressiveness.
-
D.
Max Bruch’s “Kol Nidrei” Op. 47
Max Bruch’s “Kol Nidrei” Op. 47 is a late-Romantic composition for cello and orchestra that uses the traditional Jewish Kol Nidre prayer melody as the basis for a lyrical, meditative concert work.
-
E.
Franck Symphony in D minor
Franck's Symphony in D minor is a late-Romantic orchestral work renowned for its cyclical structure, rich harmonies, and emotional intensity, and is considered the Belgian composer's symphonic masterpiece.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
piano composition
ⓘ
set of variations ⓘ |
| approximateDuration | 20 minutes ⓘ |
| associatedPerson |
Clara Schumann
ⓘ
Robert Schumann ⓘ |
| basedOn | theme by Robert Schumann ⓘ |
| basedOnWork | Bunte Blätter, Op. 99, No. 4 ⓘ |
| catalogueNumber | Op. 9 ⓘ |
| composer | Johannes Brahms ⓘ |
| composerNationality | German ⓘ |
| compositionYear | 1854 ⓘ |
| dedicatedTo | Julie Schumann ⓘ |
| dedicationContext | written during Schumann’s mental crisis in 1854 ⓘ |
| emotionalCharacter |
intimate
ⓘ
melancholic ⓘ |
| firstPublisher | Breitkopf & Härtel ⓘ |
| followsInCatalogue |
Piano Sonata No. 3
ⓘ
surface form:
Piano Sonata No. 3 in F minor, Op. 5
|
| form | theme and variations ⓘ |
| genre | Romantic piano music ⓘ |
| hasMovementType |
theme
ⓘ
variations ⓘ |
| historicalContext | composed shortly after Brahms met the Schumanns ⓘ |
| homageTo | Robert Schumann ⓘ |
| influencedBy | Robert Schumann’s piano style ⓘ |
| instrumentation | solo piano ⓘ |
| key | D minor ⓘ |
| languageOfTitle | German ⓘ |
| notableFeature |
contains variations marked with Clara Schumann’s initials
ⓘ
intimate musical homage to Robert Schumann ⓘ |
| notableRecording |
recordings by Claudio Arrau
ⓘ
recordings by Radu Lupu ⓘ recordings by Wilhelm Kempff ⓘ |
| numberOfVariations | 16 ⓘ |
| opusNumber | Op. 9 ⓘ |
| originalTitle |
Variations on a Theme by Schumann
ⓘ
surface form:
Variationen über ein Thema von Schumann
|
| performanceMedium | solo pianist ⓘ |
| period | Romantic era ⓘ |
| placeOfComposition | Düsseldorf ⓘ |
| precedesInCatalogue | Ballades, Op. 10 ⓘ |
| publisherLocation | Leipzig ⓘ |
| reflects | Brahms’s personal connection to Robert and Clara Schumann ⓘ |
| relatedTo | Schumann circle ⓘ |
| stylisticCharacteristic |
complex piano writing
ⓘ
highly introspective character ⓘ use of motivic transformation ⓘ |
| themeSourceComposer | Robert Schumann ⓘ |
| title | Variations on a Theme by Schumann ⓘ |
| workNumberInComposerOutput | early piano work ⓘ |
How these facts were elicited
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Subject: Johannes Brahms: Variations on a Theme by Schumann, Op. 9 Description of subject: "Johannes Brahms: Variations on a Theme by Schumann, Op. 9" is a set of piano variations composed in 1854 that pays intimate musical homage to Robert Schumann while reflecting Brahms’s deep personal and artistic connection to the Schumann circle.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.