"Didone abbandonata" (No. 3)
E1585949
UNEXPLORED
"Didone abbandonata" (No. 3) is the third piano sonata from Muzio Clementi’s Op. 50 set, a dramatic, programmatic work inspired by the tragic figure of Dido from classical literature.
All labels observed (1)
| Label | Occurrences |
|---|---|
| "Didone abbandonata" (No. 3) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T23450566 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: "Didone abbandonata" (No. 3) Context triple: [Piano Sonatas, Op. 50, nicknameOfPart, "Didone abbandonata" (No. 3)]
-
A.
Recondita armonia
"Recondita armonia" is a celebrated tenor aria from Giacomo Puccini’s opera *Tosca*, sung by the painter Mario Cavaradossi as he reflects on the contrasting beauty of two women.
-
B.
Le Laudi
Le Laudi is a major poetic cycle by Italian writer Gabriele D’Annunzio, celebrating nature, the senses, and human vitality in an ornate, symbolist style.
-
C.
Dido’s Lament
Dido’s Lament is the famous concluding aria from Henry Purcell’s opera *Dido and Aeneas*, renowned for its expressive ground bass and tragic portrayal of Queen Dido’s despair.
-
D.
Corelli Op. 2
Corelli Op. 2 is a collection of trio sonatas by Arcangelo Corelli, exemplifying the early Baroque chamber music style that greatly influenced later composers.
-
E.
Corelli Op. 1
Corelli Op. 1 is Arcangelo Corelli’s first published set of trio sonatas, a landmark Baroque collection that helped establish his reputation across Europe.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: "Didone abbandonata" (No. 3) Target entity description: "Didone abbandonata" (No. 3) is the third piano sonata from Muzio Clementi’s Op. 50 set, a dramatic, programmatic work inspired by the tragic figure of Dido from classical literature.
-
A.
Recondita armonia
"Recondita armonia" is a celebrated tenor aria from Giacomo Puccini’s opera *Tosca*, sung by the painter Mario Cavaradossi as he reflects on the contrasting beauty of two women.
-
B.
Le Laudi
Le Laudi is a major poetic cycle by Italian writer Gabriele D’Annunzio, celebrating nature, the senses, and human vitality in an ornate, symbolist style.
-
C.
Dido’s Lament
Dido’s Lament is the famous concluding aria from Henry Purcell’s opera *Dido and Aeneas*, renowned for its expressive ground bass and tragic portrayal of Queen Dido’s despair.
-
D.
Corelli Op. 2
Corelli Op. 2 is a collection of trio sonatas by Arcangelo Corelli, exemplifying the early Baroque chamber music style that greatly influenced later composers.
-
E.
Corelli Op. 1
Corelli Op. 1 is Arcangelo Corelli’s first published set of trio sonatas, a landmark Baroque collection that helped establish his reputation across Europe.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.