epic theatre
E154341
Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Brechtian theatre | 2 |
| epic theatre canonical | 1 |
| epic theatre movement | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1347996 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: epic theatre Context triple: [Bertolt Brecht, movement, epic theatre]
-
A.
Theatre of the Absurd
Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
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B.
LORT theater
A LORT theater is a professional, nonprofit regional theater in the United States that operates under the League of Resident Theatres’ collective bargaining agreements with actors’ and directors’ unions.
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C.
Passion plays
Passion plays are religious dramatic performances that reenact the final period of Jesus Christ’s life, especially his suffering, crucifixion, and death, often staged during Holy Week.
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D.
World Music Theatre
World Music Theatre is a large outdoor concert amphitheater in Tinley Park, Illinois, known for hosting major touring music acts and festivals.
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E.
Federal Theatre Project
The Federal Theatre Project was a New Deal initiative that funded and organized live theatrical productions across the United States during the Great Depression, providing employment for artists while expanding public access to the arts.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: epic theatre Target entity description: Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
-
A.
Theatre of the Absurd
Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
-
B.
LORT theater
A LORT theater is a professional, nonprofit regional theater in the United States that operates under the League of Resident Theatres’ collective bargaining agreements with actors’ and directors’ unions.
-
C.
Passion plays
Passion plays are religious dramatic performances that reenact the final period of Jesus Christ’s life, especially his suffering, crucifixion, and death, often staged during Holy Week.
-
D.
World Music Theatre
World Music Theatre is a large outdoor concert amphitheater in Tinley Park, Illinois, known for hosting major touring music acts and festivals.
-
E.
Federal Theatre Project
The Federal Theatre Project was a New Deal initiative that funded and organized live theatrical productions across the United States during the Great Depression, providing employment for artists while expanding public access to the arts.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
20th-century theatre movement
ⓘ
theatre style ⓘ theatrical movement ⓘ |
| aimsTo |
encourage political awareness
ⓘ
promote social change ⓘ provoke critical reflection ⓘ |
| contrastsWith |
Greek tragedy
ⓘ
surface form:
Aristotelian theatre
dramatic theatre ⓘ |
| developedInCountry | Germany ⓘ |
| developedInPeriod | 20th century ⓘ |
| discourages |
emotional identification with characters
ⓘ
illusion of reality ⓘ |
| emphasizes |
critical distance
ⓘ
narrative over plot ⓘ rational observation ⓘ |
| hasAlternativeName |
epic drama
ⓘ
epic theater ⓘ |
| hasKeyConcept |
Verfremdungseffekt
ⓘ
alienation effect ⓘ distancing effect ⓘ |
| hasKeyFigure |
Bertolt Brecht
ⓘ
Erwin Piscator ⓘ Helene Weigel ⓘ |
| hasKeyWork |
Life of Galileo
ⓘ
Mother Courage and Her Children ⓘ The Caucasian Chalk Circle ⓘ The Good Person of Szechwan ⓘ The Threepenny Opera ⓘ |
| hasMainProponent | Bertolt Brecht ⓘ |
| influenced |
contemporary political theatre
ⓘ
documentary theatre ⓘ postdramatic theatre ⓘ |
| influencedBy |
Erwin Piscator
ⓘ
German expressionism ⓘ Marxism ⓘ political theatre ⓘ |
| relatedConcept |
Brechtian theatre
ⓘ
agitprop theatre ⓘ didactic theatre ⓘ |
| theorizedIn | Brechtian theatre theory ⓘ |
| usesTechnique |
actors stepping out of character
ⓘ
direct address to the audience ⓘ exposed lighting and stage equipment ⓘ fragmented scenes ⓘ historical setting to comment on present ⓘ narrative interruption ⓘ non-linear narrative ⓘ projection of text and images ⓘ songs that comment on the action ⓘ visible stage mechanics ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: epic theatre Description of subject: Epic theatre is a 20th-century theatrical movement, closely associated with Bertolt Brecht, that uses techniques like direct address, visible stage mechanics, and narrative interruption to provoke critical reflection rather than emotional immersion.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.