Act II of The Cocktail Party
E1542329
UNEXPLORED
Act II of The Cocktail Party is the central act of T.S. Eliot’s play "The Cocktail Party," in which the psychiatrist Sir Henry Harcourt-Reilly’s role becomes pivotal in unraveling the characters’ psychological and spiritual crises.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Act II of The Cocktail Party canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T22494089 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act II of The Cocktail Party Context triple: [Reilly, appearsInAct, Act II of The Cocktail Party]
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A.
Act II of Long Day’s Journey into Night
Act II of *Long Day’s Journey into Night* is a pivotal middle act of Eugene O’Neill’s autobiographical family drama, deepening the emotional tensions and psychological conflicts among the Tyrone family.
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B.
Act III of Long Day’s Journey into Night
Act III of Long Day’s Journey into Night is a pivotal section of Eugene O’Neill’s autobiographical family drama in which tensions and long-buried resentments among the Tyrones intensify as night falls and their illusions further unravel.
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C.
Act IV of Long Day’s Journey into Night
Act IV of *Long Day’s Journey into Night* is the climactic final act of Eugene O’Neill’s autobiographical family drama, in which the Tyrone family’s long-suppressed tensions and addictions reach their most devastating emotional intensity.
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D.
Act II of A Delicate Balance
Act II of A Delicate Balance is the central act of Edward Albee’s Pulitzer Prize–winning play, in which the emotional tensions and existential anxieties among Tobias, his family, and their friends intensify toward a psychological breaking point.
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E.
Act II of A Little Night Music
Act II of *A Little Night Music* is the latter half of Stephen Sondheim and Hugh Wheeler’s romantic musical, in which the tangled relationships among the characters deepen and culminate, featuring the reflective ballad “Send in the Clowns.”
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act II of The Cocktail Party Target entity description: Act II of The Cocktail Party is the central act of T.S. Eliot’s play "The Cocktail Party," in which the psychiatrist Sir Henry Harcourt-Reilly’s role becomes pivotal in unraveling the characters’ psychological and spiritual crises.
-
A.
Act II of Long Day’s Journey into Night
Act II of *Long Day’s Journey into Night* is a pivotal middle act of Eugene O’Neill’s autobiographical family drama, deepening the emotional tensions and psychological conflicts among the Tyrone family.
-
B.
Act III of Long Day’s Journey into Night
Act III of Long Day’s Journey into Night is a pivotal section of Eugene O’Neill’s autobiographical family drama in which tensions and long-buried resentments among the Tyrones intensify as night falls and their illusions further unravel.
-
C.
Act IV of Long Day’s Journey into Night
Act IV of *Long Day’s Journey into Night* is the climactic final act of Eugene O’Neill’s autobiographical family drama, in which the Tyrone family’s long-suppressed tensions and addictions reach their most devastating emotional intensity.
-
D.
Act II of A Delicate Balance
Act II of A Delicate Balance is the central act of Edward Albee’s Pulitzer Prize–winning play, in which the emotional tensions and existential anxieties among Tobias, his family, and their friends intensify toward a psychological breaking point.
-
E.
Act II of A Little Night Music
Act II of *A Little Night Music* is the latter half of Stephen Sondheim and Hugh Wheeler’s romantic musical, in which the tangled relationships among the characters deepen and culminate, featuring the reflective ballad “Send in the Clowns.”
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.