Viviane, Op. 5
E1525233
UNEXPLORED
Viviane, Op. 5 is a symphonic poem by French composer Ernest Chausson inspired by Arthurian legend and noted for its lush, late-Romantic orchestral writing.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Viviane, Op. 5 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T22228764 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Viviane, Op. 5 Context triple: [Ernest Chausson, notableWork, Viviane, Op. 5]
-
A.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
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B.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
C.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
-
D.
La stravaganza, Op. 4
La stravaganza, Op. 4 is a set of twelve virtuosic violin concertos by Antonio Vivaldi, notable for their inventive harmonies and expressive solo writing.
-
E.
Fervaal, Op. 40
Fervaal, Op. 40 is a late-19th-century French opera by Vincent d’Indy that blends Wagnerian musical drama with Celtic-inspired legend and symbolism.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Viviane, Op. 5 Target entity description: Viviane, Op. 5 is a symphonic poem by French composer Ernest Chausson inspired by Arthurian legend and noted for its lush, late-Romantic orchestral writing.
-
A.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
B.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
C.
Genoveva, Op. 81
Genoveva, Op. 81 is Robert Schumann’s only opera, a Romantic work based on the medieval legend of Genevieve of Brabant.
-
D.
La stravaganza, Op. 4
La stravaganza, Op. 4 is a set of twelve virtuosic violin concertos by Antonio Vivaldi, notable for their inventive harmonies and expressive solo writing.
-
E.
Fervaal, Op. 40
Fervaal, Op. 40 is a late-19th-century French opera by Vincent d’Indy that blends Wagnerian musical drama with Celtic-inspired legend and symbolism.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.