1962 New Realists exhibition introducing Pop Art to a wider New York audience

Target entity: 1962 New Realists exhibition introducing Pop Art to a wider New York audience
Context triple: [Sidney Janis Gallery, notableFor, 1962 New Realists exhibition introducing Pop Art to a wider New York audience]

• A. 1981 New York/New Wave exhibition at P.S.1
  The 1981 New York/New Wave exhibition at P.S.1 was a landmark group show in New York City that showcased emerging downtown artists and helped launch the careers of key figures in the early 1980s art scene.
• B. The School of New York (1951 exhibition)
  The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
• C. Jackson Pollock retrospective 1958
  The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
• D. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• E. Cubism and Abstract Art (1936 exhibition)
  Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: 1962 New Realists exhibition introducing Pop Art to a wider New York audience
Target entity description: The 1962 New Realists exhibition was a landmark New York show that helped launch Pop Art into mainstream recognition by showcasing groundbreaking works from emerging American and European artists.

• A. 1981 New York/New Wave exhibition at P.S.1
  The 1981 New York/New Wave exhibition at P.S.1 was a landmark group show in New York City that showcased emerging downtown artists and helped launch the careers of key figures in the early 1980s art scene.
• B. The School of New York (1951 exhibition)
  The School of New York (1951 exhibition) was a landmark 1951 show, curated by Robert Motherwell, that helped define and promote the emerging Abstract Expressionist movement in New York.
• C. Jackson Pollock retrospective 1958
  The Jackson Pollock retrospective of 1958 was a major posthumous exhibition that showcased the influential American abstract expressionist’s work to a British and European audience, helping to cement his international reputation.
• D. New Documents (Museum of Modern Art, 1967)
  New Documents (Museum of Modern Art, 1967) was a landmark photography exhibition at MoMA that introduced a new, more personal and observational documentary style through the work of Lee Friedlander, Garry Winogrand, and Diane Arbus.
• E. Cubism and Abstract Art (1936 exhibition)
  Cubism and Abstract Art (1936 exhibition) was a landmark 1936 Museum of Modern Art show curated by Alfred H. Barr Jr. that traced the development of modern art from Cubism to various abstract movements and helped define the canon of modernism.
• F. None of above. chosen