Act III
E1466949
UNEXPLORED
Act III is the final act of Benjamin Britten’s comic opera "Albert Herring," in which the consequences of Albert’s rebellious night out come to a humorous and revealing climax.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Act III canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T21104195 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Act III Context triple: [Albert Herring, acts, Act III]
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A.
Act III
Act III is the final act of Thornton Wilder’s play "The Skin of Our Teeth," depicting the Antrobus family’s post-apocalyptic struggle to rebuild civilization and affirm human resilience.
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B.
Act III
Act III is the final act of Giacomo Puccini’s opera "Turandot," culminating in the famous tenor aria "Nessun dorma" and the resolution of the opera’s central conflict.
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C.
Act III
Act III is the final act of the 19th-century stage comedy "Our American Cousin," historically noted as the portion of the play being performed during Abraham Lincoln’s assassination at Ford’s Theatre.
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D.
Act III
Act III is a central segment of Goethe’s "Faust, Part Two" that dramatizes Faust’s encounter with Helen of Troy, blending classical mythology with German Romanticism.
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E.
Act III
Act III is a pivotal middle section of Gotthold Ephraim Lessing’s comedy "Minna von Barnhelm," where key conflicts and character relationships intensify and begin to turn toward resolution.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Act III Target entity description: Act III is the final act of Benjamin Britten’s comic opera "Albert Herring," in which the consequences of Albert’s rebellious night out come to a humorous and revealing climax.
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A.
Act III
Act III is the final act of Harold Pinter’s play "The Birthday Party," in which the menacing interrogation and psychological breakdown of the protagonist reach their disturbing conclusion.
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B.
Act III
Act III is the climactic final act of Henrik Ibsen’s play "A Doll’s House," in which key character revelations and the central marital conflict reach their decisive turning point.
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C.
Act III
Act III is the final act of Richard Wagner's opera "Lohengrin," culminating in the revelation of the hero's identity and the tragic resolution of the central vow of silence.
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D.
Act III
Act III is a pivotal middle section of Gotthold Ephraim Lessing’s comedy "Minna von Barnhelm," where key conflicts and character relationships intensify and begin to turn toward resolution.
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E.
Act III
Act III is the final act of Antonín Dvořák’s opera "Rusalka," in which the tragic conclusion of the water nymph’s love story with a human prince unfolds.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.