Maestà (Santa Maria dei Servi, Bologna)
E1463881
UNEXPLORED
Maestà (Santa Maria dei Servi, Bologna) is a renowned late 13th-century altarpiece by Cimabue depicting the Virgin and Child enthroned, notable for its transitional style between Byzantine iconography and early Italian Renaissance naturalism.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Maestà (Santa Maria dei Servi, Bologna) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T21034875 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Maestà (Santa Maria dei Servi, Bologna) Context triple: [Cimabue, notableWork, Maestà (Santa Maria dei Servi, Bologna)]
-
A.
Maestà (Orvieto Cathedral polyptych)
Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
-
B.
Maestà
Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
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C.
Maestà (Massa Marittima)
Maestà (Massa Marittima) is a celebrated early 14th-century fresco by Italian painter Ambrogio Lorenzetti depicting the Madonna enthroned in majesty, located in the cathedral of Massa Marittima, Tuscany.
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D.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
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E.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Maestà (Santa Maria dei Servi, Bologna) Target entity description: Maestà (Santa Maria dei Servi, Bologna) is a renowned late 13th-century altarpiece by Cimabue depicting the Virgin and Child enthroned, notable for its transitional style between Byzantine iconography and early Italian Renaissance naturalism.
-
A.
Maestà (Orvieto Cathedral polyptych)
Maestà (Orvieto Cathedral polyptych) is a celebrated early 14th-century altarpiece by Simone Martini depicting the enthroned Virgin and Child surrounded by saints and angels, exemplifying the elegance of the Sienese Gothic style.
-
B.
Maestà
Maestà is a monumental early 14th-century altarpiece by Duccio di Buoninsegna, renowned as a masterpiece of Sienese Gothic painting depicting the Virgin Mary enthroned in majesty.
-
C.
Maestà (Massa Marittima)
Maestà (Massa Marittima) is a celebrated early 14th-century fresco by Italian painter Ambrogio Lorenzetti depicting the Madonna enthroned in majesty, located in the cathedral of Massa Marittima, Tuscany.
-
D.
Cimabue’s Maestà in the Upper Basilica
Cimabue’s Maestà in the Upper Basilica is a monumental late 13th-century fresco of the Madonna and Child with angels and saints, considered a key work in the transition from Byzantine to early Italian Renaissance painting.
-
E.
Polyptych of Pisa
The Polyptych of Pisa is a renowned early 15th-century altarpiece by Masaccio that exemplifies the transition from Gothic to Renaissance painting through its innovative use of perspective and naturalism.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.